Keywords Index

Select issue All issues Volume 1, Number 1 Volume 1, Number 2 Volume 1, Number 3 Volume 1, Number 4 Volume 2, Number 5 Volume 2, Number 6 Volume 2, Number 7 Volume 2, Number 8 Volume 2, Number 9 Volume 3, Number 10 Volume 3, Number 11 Volume 3, Number 12 Volume 3, Number 13 Volume 4, Number 14 Volume 4, Number 15 Volume 4, Number 16 Volume 4, Number 17 Volume 5, Number 18 Volume 5, Number 19 Volume 5, Number 20 Volume 5, Number 21 Volume 6, Number 22 Volume 6, Number 23 Volume 6, Number 24 Volume 6, Number 25 Volume 7, Number 26 Volume 7, Number 27 Volume 7, Number 28 Volume 7, Number 29 Volume 8, Number 30 Volume 8, Number 31 Volume 8, Number 32 Volume 8, Number 33 Volume 9, Number 34 Volume 9, Number 35 Volume 9, Number 36 Volume 9, Number 37 Volume 10, Number 38 Volume 10, Number 39 Volume 10, Number 40 Volume 10, Number 41 Volume 11, Number 42 Volume 11, Number 43 Volume 11, Number 44 Volume 11, Number 45 Volume 12, Number 46 Volume 12, Number 47 Volume 12, Number 48 Volume 12, Number 49 Volume 13, Number 50 Volume 13, Number 51 Volume 13, Number 52 Volume 13, Number 53 All issues

1873 Vienna World’s Fair The categorization of “Iran’s handicrafts” at the intersection of “Westernism discourse” with “Orientalism discourse” in the Qajar period [Volume 11, Number 44] Absence Comparison of the “Filled” Space of Iranian Painting with the “Empty” Space of The Far East Painting [Volume 8, Number 31] Adorno, Aesthetic Theory, mimesis, reason, subject, object, expression The Concept of Mimesis in Adorno’s Aesthetic Theory [Volume 1, Number 3] Aesthetic Experience Monroe Beardsley’s Anti-Intentionalism in Analysis selected Photographs by Andreas Gursky [Volume 8, Number 31] Aesthetic. Chaos Theory. Cusp. The intelligible. Mediator.The outside. The sensible Topographic - based Model of the Creative Art through Revolutionary Culture in Iran [Volume 3, Number 11] Aghdashloo Comparative Study of Conceptual Metaphor Theory in Illustration and Poem [Volume 5, Number 18] Alain Badiou, philosophy, art, truth, interpretation, doxa Denying the Role of Interpretation in relation to philosophy and Art in Alain Badiou’s Thought [Volume 1, Number 4] Alchemy order Manifestation of Alchemy Symbols in Corresponding with Islamic Mysticism and Art [Volume 10, Number 40] Alireza Espahbod A study in term of Undecidability: Reading the paintings of Alireza Espahbod [Volume 2, Number 9] Allameh Tabatabai Investigating the Aesthetic Value of Allameh Tabatabai [Volume 8, Number 30] Amir Alishir Navai, Codicology, Calligraphy, Persian Painting, Herat School An Analytical Review of Two Paintings in Alishir Navai Collected Poems Attributed to Sheikhzadeh [Volume 1, Number 1] Analysis of Contemporary Indian Jewelry with the Dialogism approach of Mikhail Bakhtin (Case study Indian Jewelry in 2020) Analysis of Contemporary Indian Jewelry with the Dialogism approach of Mikhail Bakhtin (Case study: Indian Jewelry in 2020) [Volume 11, Number 43] Apocalypse Now” A Review of the Concept of the Subject and Self-destruction: A Case Study of “A Clockwork Orange” and “Apocalypse Now” [Volume 6, Number 23] Appropriation Investigating the “Fair Use” in Contemporary Art in the Cases of Jeff Koons and Richard Prince [Volume 10, Number 39] Architectural Quality Explanation of the Criteria for the Influence of the Hermeneutic Phenomenology of Place on the Architectural Design Process [Volume 12, Number 48] Architecture Origami: Japanese Architecture and its Aesthetic Adaptability with the Western Theorists’ Point of View [Volume 10, Number 38] Aronofsky The Influence of Some Eastern Philisophical Concepts on Western Art Cinema: The Case Study of “The Fountain” by Darren Aronofsky [Volume 5, Number 19] Art Art and Technique as two Different Territory for Dasein’s Being [Volume 9, Number 37] Art THE TRAGIC DEATH OF EDOUARD MANET The French Pioneer Impressionist Painter in the 19th Century: A Psychoanalytical glance to the Psycho-physical Disturbances, Personality Characteristic, the Personal Life & the Arts [Volume 4, Number 17] Art EPISTEMOLOGICAL CONSIDERATIONS IN THE CONCEPT OF “EAST” AND “WEST” (WITH REFERENCE TO PRINCIPLES THAT FORM CULTURE) [Volume 3, Number 11] Art Defense Legitimizing Art in the Prefaces of Tīmūrīd and Safavīd Albums [Volume 11, Number 43] Art Students Research on the Class Origins of Modern Painting Audiences in Iran between 1940-1970 A.D. [Volume 10, Number 39] Art certificate “Appropriation Art” and Recognition of the Legal Status of the Author [Volume 9, Number 36] Arving Amen A Brief on the Interrelations of Illustrations in Gilgamesh Emphasizing Monomyth-Transtextual Studies [Volume 3, Number 12] Asma’ol Hosna’s posters Analyzing the Communicative Functions in Typography (the Posters of Asma’ol Hosna in Iran) Using Jakobson’s Approach [Volume 9, Number 35] Assimilation Handwoven Rugs Throughout The Qajar Period And The Impact Of Cultural Globalization [Volume 11, Number 43] Bahram Beyzaie The Location of Memory A Bakhtinian Reading of Bahram Beyzaie’s The Crow [Volume 7, Number 29] Barbara Kruger Barbara Kruger’s Usage of Visual Rhetoric to Encoding the Semiotic Message [Volume 9, Number 34] Beckett, Adorno, Theatre of the Absurd, modernity, modernism, the impossible, work of art, enigma The Enigma of Interpretation in the Works of Samuel Beckett [Volume 2, Number 6] Bergson An Approach to Vital Art from the Perspective of the Aesthetics of Grace [Volume 13, Number 52] Bible Christian Iconography and Biblical Interpretation [Volume 4, Number 17] Cinema Manifestation of Phenomena of Fear and Angst/Anxiety in Film World [Volume 2, Number 9] Cohesiveness and Inconsistency Intertextual Collage Aesthetics [Volume 9, Number 36] Comparative Philosophies Philosophy, Art and Critique: A (short) conversation with the “other” [Volume 4, Number 17] Constructivism The Impact of German Expressionism on the Acting Style of Eisenstein’s Cinema [Volume 3, Number 12] Contemporary architecture, ethical, visuality The Ethical Visuality in Contemporary Architecture: the Questioning of a Tradition [Volume 1, Number 3] Contemporary painting of Iran Critical analysis of the Saqqakhane movement based on the concept of culture industry in Adorno's thought [Volume 12, Number 47] Crisitian Norberg-Schulz Phenomenology of Place in New Topographic Photography [Volume 9, Number 34] Cézanne Reflection of Heidegger’s Attitude in the Analysis of Cézanne’s Paintings from Merleau-Ponty’s Point of View based on the Theory of Being-in-the-World [Volume 10, Number 41] Dadaism Reading of Dadaism and Surrealism Drawing in light of Heidegger’s Critique of Technology [Volume 6, Number 25] David Kolb Studying Different Aspects of Learning in the Naqqāli of the Qajar Period based on David Kolb's Model [Volume 13, Number 51] Design The Relationship between the Qābi Design and the Medium in the Art of Zand Iran [Volume 12, Number 47] Desire The Lacanian split subject and its reflection in Marlene Dumas’s portrait paintings [Volume 12, Number 46] Dionysus Historical Evolution of the Narrative Theme of Ariadne’s Abandonment in European Painting [Volume 11, Number 42] Disenchantment The Concept of Art’s Autonomy in Benjamin and Adorno [Volume 3, Number 12] Duration The Analysis of The Concept of Time in Performance-Art based on Gilles Deleuze’s Ideas [Volume 8, Number 31] Encompassing Image Intertwining Geography of Dismembered Bodies and Fragmented Spaces in cinematic City [Volume 3, Number 13] Ernesto Neto The Phenomenological Hermeneutics Bases on Ernesto Neto’s Iinteractive Installation: “While Nothing Happens” [Volume 4, Number 15] Expression, Representation, Aesthetics, Fine Art, Irano-Islamic Music The Ontology of “Expression” and “Expressionism” in Music through Consideration of Irano-Islamic Music [Volume 1, Number 1] Fann-e-She’r, Aristotle, Ibn Sina, mimesis, poetry Contemplation on Ibn Sina’s “Fann-e-She’r” (Poetics) [Volume 1, Number 4] Farideh Lashaee A Rereading of Farideh Lashaee's Paintings in Light of Merleau-Ponty's Ideas [Volume 12, Number 46] Fath Ali shah Transtextual Study of Four Paintings of the Contemporary Artist, Aydin Aghdashloo [Volume 7, Number 29] Ferdowsi, Shahnameh, poetry, Persian painting, Shahnameh painting Ferdowsi in the Mirror of Persian Painting [Volume 1, Number 1] Foucault To Find the Possibility of Aesthetic ‘Autonomy’ in the Case of Logic ‘Instrumentality’ Dominancy (in Weber, Lyotard and Foucault`s Critical Assessment of Modern Culture) [Volume 3, Number 13] Foucault, Magritte, resemblance, similitude, representation Foucault with Magritte’s Eyes [Volume 1, Number 3] Foucault. Genealogy of Indian Mughal Emperors' Jewels Narration by Royal Iconography (Case Study: Painting of “The Rulers of the Mughal Dynasty from Babur to Awrangzeb, with Their Ancestor Timur”) [Volume 13, Number 52] Francis Bacon Genetic Criticism and Analysis of Francis Bacon’s Painting, “Three Studies on Figures at the Base of a Crucifixion” [Volume 10, Number 38] French philosophy The Reflection of Gabriel Marcel’s Thought in His Plays [Volume 4, Number 14] Gaston Bachelard The Configuration of Four Elements in Metal Tallow Burners in the Seljuk Period: Gaston Bachelard's Imaginative Criticism Approach [Volume 13, Number 53] Gilles Deleuze 16th century Persian tiles in dialogue with 21st century digital tiles in the Sadrian universe [Volume 4, Number 17] Global Ethics Aesthetic Dimension and Golden Rule: Interaction between Art and Ethic in Herbert Marcuse’s Thoughts [Volume 3, Number 12] Graffiti A Reading of the Animal Defender Art in Terms of Ethics and Political Economy [Volume 11, Number 44] Health and Treatment Explaining the effect of images in interior architecture on health and treatment based on traditional medicine [Volume 12, Number 46] Hegel The Expression of the Divine Order Through the Art of Sculpture in the Greek Art Religion (According to Hegel’s Lectures on Fine Art and his Phenomenology of Spirit) [Volume 10, Number 38] Honar-va-Mardom Magazine How to Redefine Kamal-ol-Molk in Honar-va-Mardom Magazine of the 40s and 50s and its Relationship with the Modernization Process of Iran [Volume 11, Number 45] Ibn Khaldun Social Factors Influencing the Growth and Development of the Arts Based on Ibn Khaldun's Theory of the Sociology of Art [Volume 13, Number 53] Ibrahim Mirza’s Haft awrang A Study of the Relationship between Myth and Art based on Aesthetic Imagination in the Final Output of the Components of Mythical Consciousness [Volume 12, Number 49] Ibrahim Sinasi Mimetic and Diegetic Narratology: A Comparative Study on Akhundzadeh’s The Miser and Ibrahim Sinasi’s The Wedding of the Poet [Volume 12, Number 48] Iconography, knowledge of motifs, Baisonghori Shahnameh, Tahmasbi Shsahnameh, painting Iconographical Motifs in Two Baisonghori and Tahmasbi Shahnamehs [Volume 1, Number 3] Idle talk/Gerede An Ontological Reflection on The Transformation of Friendship into Enmity in McDonagh's The Banshees of Inisherin by Relying on Heidegger's Being and Time [Volume 12, Number 48] Illustration Painting and Society The Formation of the Persian Painting in the 14th Century [Volume 7, Number 29] Image Study of Iconographic Transformation of Pictorial Sample in Images of Merrkh- Bahram in Islamic Era [Volume 9, Number 34] Imam Muhamad Ghazali. Transcendental Art, Artist and Sublime Art’s Audience from Muhamad Ghazali’s Perspective [Volume 12, Number 48] Installation Art The Aesthetic of Reception in Interactive Installation Art, Read based on Wolfgang Iser’s Theory [Volume 10, Number 39] Institutional Theory Explaining the Concept of Taste According to Hume in the Horizon of the Institutional Theory of Art [Volume 12, Number 47] Interaction theory Analysis of the Ontology and Epistemology Bases of the Grounded Theory [Volume 6, Number 25] Intersemiotic Relations A Survey on Intertextual and Intersemiotic Relations between the Sechischti Lyrics and the Kilims of the North Khorasan’s Kurmanj Nomads [Volume 10, Number 41] Iranian miniatures A critical Reading of the Imaginal World in Persian Traditional Painting and its Relation to the Hidden Orientalist Theory [Volume 7, Number 27] Islamic and Revolutionary Characteristics Investigating the Characteristics of Identity with an Emphasis on Imam Khomeini’s Theory in the 1988 Statement Addressed to Artists and its Impact on the Art of the Islamic Revolution [Volume 11, Number 45] Islamic architecture, horizontality, monotheistic worldview, horizontal thinking, Vahdat Vojūd The Principle of Horizontality in Islamic Architecture [Volume 1, Number 2] Islamic art Analysing Concept and Meaning of the Word “Eslimi” (An Arabesque) in Islamic Art from The Viewpoint of Islamic Wisdom [Volume 12, Number 46] Islamic vision An Islamic Approach to Designing a Structured Model in Education of Architecture [Volume 2, Number 7] Jeremy Gilbert-Rolfe, tangible beauty, frivolity, seriousness, postmodern sublime, abstract art, blankness, pictorial dimension of absence Venus and Adonis Back from Exile: Jeremy Gilbert-Rolfe on Contemporary Beauty and Sublime [Volume 2, Number 5] John Cage The Influence of Poincaré’s Thoughts on the Origins of Random and Chance in Works of Marcel Duchamp and John Cage [Volume 7, Number 29] Joseph Campbell. Explaining the Level of Human Thought in the Parallel Civilizations Based on Formal Structure and Visual Imagination Formed in Mythical Narratives [Volume 8, Number 31] Joseph and Zlykha painting Hirsch`s Hermeneutical Approach in the Analysis of Painting (The case of Joseph and Zlykha Painting of Behzad) [Volume 4, Number 15] Julia Kristeva Clothes As body, for Criticising Violence: Analysing Works of Doris Salcedo, Christian Boltanski and Anselm Kiefer According to Julia Kristeva’s Abject Theory [Volume 13, Number 52] Kamal al-Din Behzad Analyzing the Painting of “The Story of Yusof & Zoleikha” by Kamal al-Din Behzad According to Transtextuality Theory of Gerard [Volume 8, Number 32] Kiarostami The Analysis of Relation between “telling” and “other” in Abbas Kiarostami Cinema from the Perspective of Emmanuel Levinas’ Ideas [Volume 7, Number 26] Klee Reflective Thinking from Heidegger’s Standpiont and Poetic Thinking in Paul Klee’s Images [Volume 5, Number 18] Linda Nochlin, Feminist criticism of history of art, women artists, institutional and educational discrimination, distinctive feminine art style Linda Noclin’s Critique on the Idea of Distinctive Feminine Art Style [Volume 2, Number 6] Madani and Hejazi Epiphany of Scribing the Holy Quran from the Dawn of Islam Leading to the Manifestation of Calligraphy and Decoration in Islamic Sacred Art [Volume 3, Number 11] Malkin The Philosophy and Functions of Verbal Violence in Harold Pinter’s Mountain Language: A CDA Approach [Volume 3, Number 11] Mathnawi Pattern and beyond: An Introduction to the Aestethics of Naqsh and Painting in Rumi’s Mathnawi [Volume 2, Number 9] Matthew Kieran Immoralism in Ethical Criticism of Art Expressing and Criticizing Kieran`s Views [Volume 7, Number 28] Maurice Merleau-Ponty The Body and Senses in New Artistic Media: A Merleau-Pontyan Approach [Volume 2, Number 9] Merleau-Ponty Reading of Process of Perception in Shabihkhani Through Merleau-Ponty’s Phenomenological Theory [Volume 7, Number 27] Michel Foucault Contextual Analysis of Neo-traditionalism in Iranian Contemporary Art (1960s), from Foucauldian Discourse Analysis Perspective [Volume 6, Number 25] Mircea Eliade Comparison of the Concept of Sacred Art between Frithjof Schuon and Mircea Eliade [Volume 6, Number 25] Modern Art The Aesthetics of the Sublime in Theodor Adorno's Thought [Volume 13, Number 50] Mohammad-Karim Pirnia Architecture, Land, and Man Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture [Volume 3, Number 11] Muharramat Textile Correspondence of Visual Representation and Order in Decorative Art From Ernest Gombrich’s Point of View: A Case Study on Muharramat Textile Design [Volume 5, Number 21] Narrative Structure Investigation of Narrative Structures with Semiotic Approach: Night Exercise Screenplay [Volume 10, Number 39] Naser al-Din Shah A Study of Two Salam-e Nowruzi Paintings of Fath-Ali Shah and Naser al-Din Shah in Qajar Era from the Perspective of Leveling and Sharpening Principles of Gestalt [Volume 10, Number 39] Nature documentary The Influence of the Philosophy of Natural Beauty on Environmental Ethics with an Emphasis on the Educational Value of Nature Documentary Film [Volume 11, Number 45] Negative aesthetics Aesthetics with a Focus on the Concept of Ethics from the Perspective of Yuriko Saito [Volume 11, Number 43] Nima Youshij The Study of Relationship Between the Discourse of Nationalism and the Artistic Movement of Khorous Jangi and Apadana Gallery; Based on the Study of the Symbol of Rooster [Volume 13, Number 50] Non-sensory Abstraction. Avicenna’s Perspective of Intelligible Imagination and Its Reflection in Drawing of the Compound Images of the Painting of “Zakarya Hiding inside the Tree” [Volume 12, Number 48] Orlan Contemporary Beauty: A Turn from Objective and Subjective Point of View to the Event [Volume 5, Number 19] Paul Ricoeur Re-reading the Narrative in Ibrahim Sultan’s Shahnama Based on Paul Ricoeur`s Philosophical Hermeneutics Theory [Volume 9, Number 35] Persian paintings Analysis and Comparative of Grimas Actor Model in Pictures and Story of Sheikh Sanan [Volume 10, Number 41] Philosophizing Importance and Position of Form and Writing Style in Philosophizing [Volume 8, Number 30] Pietism The Introduction of “Aesthetics” in Baumgarten’s Meditationes and Its Background [Volume 8, Number 33] Plato On the Relation between Art and Ethics in “Minu ye xrad” Essay and its Comparison with Plato’s view [Volume 4, Number 14] Plotinus, form, content, abstraction, beauty, art Form and Content in Plotinus Perspectives on Art and Artwork [Volume 1, Number 4] Popular music. Effective Factors in the Popularity and Longevity of Ey Iran Song [Volume 13, Number 51] Power A Study the Rupture in Royal Portraiture of Qajar era based on Michel Foucault’s Theory of Power [Volume 11, Number 44] Pragmatistic approach Reconstructing The “Aesthetic approach” in The Philosophy of Music Education [Volume 13, Number 50] Pseudo-Dionysius, beauty, names of God, symbol, medieval aesthetics Metaphysical Foundations of Beauty in Pseudo-Dionysius’s Work and It’s Influence on Christian Aesthetics [Volume 1, Number 1] Qajar Interaction between Objectivism and Subjectivism in Reading the Image from Visual Perception Perspective (Case Study: Two Pieces of Qajar Textiles) [Volume 7, Number 27] Qajar A Comparative Study of Iranian Carpets in the Travelogues of Foreign Tourists of the Safavid and Qajar Periods with an Orientalist Approach [Volume 10, Number 38] Qajar Laboratory Hypertextual Study of Bahman Jalali's "Taṣvīr Khīyāl" Photo Collection, Based on Gérard Genette's Theory of Transtextuality [Volume 13, Number 50] Reality The Dialectic of Truth and Appearance in Lacan’s Reading of Gerhard Richter’s Overpainted-from-photographs [Volume 9, Number 36] Relativism Hegel’s Real Giants or Gombrich’s Imaginary Giants? [Volume 5, Number 19] Relief Difference-Based Aesthetics, Mimesis and Relief from Determined Existence in Adorno’s Thought [Volume 5, Number 18] Republic The Relation Between Music and Education in Plato’s Philosophical System [Volume 3, Number 10] Reza Kamal Shahrazad Research on the play "Abbaseh, king's Sister" by Reza Kamal Shahrazad based on Gérard Genet's theory of Hypertextuality [Volume 12, Number 46] Robert Wilson The phenomenology of place and Space in Theater stage According to Norberg Schulz Case study: Directing of Elinstein on the Beach by Robert Wilson [Volume 9, Number 37] Rostams's seven labors Analyzing the Miniatures of Rostam's Seven Labors in Tahmasbi Shahnama Based on Cultural Semiotics Pattern [Volume 12, Number 49] Safavid Dynasty Oppositional Binary of “the self” and “the other” in Two Illustrated Versions of Shahnameh, Shahnameh of Shah Tahmasb and Shahname of shah Ismaeel II: An Analysis of the Cultural Semiotic Model [Volume 3, Number 12] Safavid Textiles An iconology approach to interpreting Laily and Majnoun in Ghiaseddin textiles [Volume 6, Number 22] Sam Shepard Exploring “Absent Presence” and “offstage Space” in Sam Shepard’s True West [Volume 4, Number 17] Sasanian art, Sasanian metalwork, images on Sasanian vessels Praise of Life as a Zoroastrians Belief Depicted [Volume 1, Number 2] Schiller, play, ethics, aesthetics The Relationship between Ethics and Aesthetics in Schiller’s Thought [Volume 1, Number 3] Semiotics The Identification of Iconic Aspect of Rostam in Miniatures of Combat between Rostam and Sohrab [Volume 8, Number 33] Shahnama Iconography of the three Icons in Shi’i Muharram Rituals; The Peacock, the Cypress & the Lion [Volume 4, Number 17] Shirin movie Deconstruction of Language and Expression in Kiarostami’s Cinema A case study on “Shirin” [Volume 11, Number 44] Shusterman The Relationship between Shusterman's "Somaesthetics" and Baumgarten's "Aesthetics" and its Implications for Contemporary Aesthetics [Volume 13, Number 53] Siegfried Kracauer, structure, cinema, systems theory, film theory, purpose A Critical Reading of Siegfried Kracauer's Film Theory [Volume 2, Number 5] Simulacra Interactive Art Analysis Based on Baudrillard’s Hyper reality Theory, a Case Study of Digital Interactive installation [Volume 11, Number 44] Single Page Paintings The Emergence and Publicization of Painting as an Independent Art Medium in Iranian Society [Volume 13, Number 52] Situation The Relation of Text and the Other in Bakhtin's Thought [Volume 3, Number 13] Sound output The Role of Readability Species, Especially Sound Output in the Conservation and Restoration of Musical Instruments [Volume 13, Number 50] Spect-actor Delineating Aesthetic and Educational Aspects of Theater of the Oppressed Using John Dewey’s Ideas [Volume 10, Number 40] Steven Holl Comparative Study of Architectural Phenomenology in Theories of Juhani Pallasmaa and Steven Holl [Volume 8, Number 33] Tabriz Blue Mosque Perfection Movement of the Soul of Man in Mosque Space on the Basis of Mulla Sadra’s Views Case Study: Tabriz Blue Mosque [Volume 6, Number 22] Tabriz II School Sociological Analysis of Paintings of Royal Gatherings of Festivity in Tabriz II School according to Reflection Approach (Case Study: “Sadeh Festival” and “Feast of Breaking the Fast”) [Volume 10, Number 40] The Last Supper, Leonardo da Vinci, Salvador Dalí, Simon Patterson, renaissance, surrealism A Comparative Study of Three Canvases of Paintings"Last Supper" by Leonardo da Vinci, Salvador Dalí and Simon Patterson by Religious Semiotics Approach Means from the Perspective of Religious Semiotics [Volume 2, Number 5] The Machine Art The Aesthetics of the Machine in the 20th Century Art based on Don Ihde’s Ideas [Volume 8, Number 30] The dastgâh in performanc The musical language Elements of Persian musical language: modes, rhythm and syntax [Volume 3, Number 11] The time-image. Explaining the Function of the Concept of Time-Image as a Form of Recovery of the New in Deleuze's Cinematographic Image with a Look at Mohammad Reza Aslani's Cinema [Volume 13, Number 53] This is not a pipe Psychoanalytic Reading of the Play This is not a Pipe, written by Seyyed Mohammad Mosavat based on the Views of Jacques Lacan [Volume 10, Number 41] Time A Practical Dramaturgy for Actors through Theatrical Production Procedures [Volume 11, Number 45] Timurid era Eastern Interpretation of Mir Heidar Mirajnameh [Volume 5, Number 21] Traditionalism The Analysis of Iranian Artists’ Inclination toward Sufism and Mysticism during the Islamic Age [Volume 12, Number 49] Transtextuality The Study of Stage Description (Didascalia) in Tennessee Williams’ One Act Plays [Volume 10, Number 38] Victor Burgin, end of art theory, conceptual art, criticism, aesthetic Victor Burgin: The End of Art Theory [Volume 2, Number 5] Virtue The Relation between Art and Moral Education in Iris Murdoch’s Perspective [Volume 3, Number 13] Visual Unity and Integrity Analyzing the Principle of Visual Unity and Integration in the Grivar Monotheistic Inscription in the Davazdah Imam Mausoleum of Yazd [Volume 12, Number 47] Visual perception The Visual Structure of the Typography of the Posters of the Fourth and Fifth Generation of Iranian Graphic Designers from the Perspective of Gestalt Visual Perception [Volume 12, Number 49] Walter Benjamin The Possibility of “Democratic” Intervention in Interactive Approaches of Contemporary Art and its Manifestation in Artistic Activism [Volume 5, Number 18] Wazirkhan mosque, Khorasani Style, Islamic architecture, Lahore, Subcontinent art Study of Iranian’s Cultural, Artistic and Architectural Influence on the Construction of Khorasan Tomb at Lahore [Volume 1, Number 1] Will to Desire Aesthetic Components of Art and the Place of Art and Artist in Kierkegaard's Philosophy [Volume 13, Number 52] Wittgenestein The Relationship between Stylish Characteristics of Wittgenstein’s Writing and his Philosophizing [Volume 9, Number 34] Women movement Women Painters and Representation of Sexuality in the Art of Modern Iran [Volume 6, Number 25] Zarih Poosh (Shrine-covering Cloth) Re-Envisioning Form in Shi’a Art: An Examination Through Four Zarih Pooshes (Shrine-Covering Cloth) at the Imam Reza Holy Shrine [Volume 13, Number 51] Zdzislaw Beksinski A Glance on the Work of Zdzislaw Beksinski (With an Emphasis on Surrealism and Fantastic Realism): In the World of Dystopia [Volume 4, Number 16] abridgment Adaptation and Abridgment of Literary Texts in Painting Case Study: Analysis of Three Selected Narrations and Paintings of Khamseh Nezami of Shah Tahmasebi [Volume 11, Number 42] absolute commodity The Comodified Aspect of Autonomy of Art Work in Adorno’s Aesthetic [Volume 6, Number 24] active externalism Cognitive Character Engagement and the Extended Mind in Bahram Tavakkoli’s Wandering in the Fog [Volume 3, Number 11] aesthetic experience Nature in the Frame of Art An Inquiry into the Art-centered Model of Aesthetic Appreciation of Nature [Volume 5, Number 21] aesthetic judgement Correspondence of Aesthetic Judgment in Farabi through Kant’s Ideal of Beauty [Volume 3, Number 10] aesthetic perception Aesthetic Transition from Beautiful to the Abyss of Aesthetic Concepts: Introducing and Analyzing Aesthetic Concepts of Frank Sibley [Volume 2, Number 7] aesthetic terms Critique of Frank Sibley’s Aesthetic Objectivity [Volume 4, Number 14] aesthetics Studying “Kitsch Aesthetics and its Effects on the Sense of Place Attachment: the Case Study Dariush Grand Hotel in Iran [Volume 5, Number 20] aesthetics, art, being, truth, beauty, the end of art History of Aesthetics in Martin Heidegger’s Narration [Volume 1, Number 4] aesthetics, artistic expression, representation, philosophy of art, art criticism Borders of Art Criticism and Philosophy of Art in the Thought of Arthur Danto [Volume 1, Number 4] aesthetique Handicrafts, Encountering Modern Technology [Volume 8, Number 30] altar The Sacred Wisdom and Art of Mandala; Analysis of Plan the Vastu Purusha Mandala and Its effect on the Architectural Structure of Iranian Fire Temples [Volume 11, Number 44] analytic proposition. Joseph Kosuth’s thoughts and Works: Research in the Wittgensteinian Origin of his Conceptual and anti-Aesthetics Trend [Volume 8, Number 30] ancient Iran Relfection on the Fundamental Thoughts behind the Construction of Four-Porch Mosques the Architecture of Saljuqi Dynasty [Volume 2, Number 7] antiessentialism Artifactuality in the Institutional Theory of Art [Volume 4, Number 16] art exhibitions Exhibition Discourse in Contemporary Art of Iran (By Analyzing the Exhibition Cycle “Of Labour, Of Dirt”, Tehran) [Volume 5, Number 19] art of sculpture. Analysis of the relationship between Mastership and Servitude to Express the Divine order in the Art of Sculpture based on Hegel's Thought [Volume 12, Number 49] art, myth, dream, unconsciousness, consciousness Art, Myth, Dream [Volume 1, Number 1] artistic criticism The Question of Art in Islamic Thought [Volume 5, Number 20] artistic form Evaluation of Artworks in Analytic Philosophy of Art [Volume 7, Number 27] artwork The Ideal Essence of the Persian Painting and the Role of Tradition in it [Volume 4, Number 16] artwork\'s interpretation, totalitarianism, dogmatism, presupposition, cosmic music, pantheism Totalitarianism and Dogmatism or Presupposition and Attachments? A Study of Interpreter's Intellectual Background in the Interpretation of an Artwork [Volume 2, Number 5] artworks’ interpretation The Application of Typology in the Interpretation of Middle Age’s Christian Art [Volume 2, Number 7] audience Augmented Reality and its Relation with Real Word [Volume 5, Number 20] aura Walter Benjamin Views on Experience and Function of Artwork in “The Work of Art in the Age of Its Technological Reproduction” [Volume 2, Number 7] belief Philosophical Aspects of Manichean and its Influence on Manichean Art [Volume 4, Number 14] belief, culture, rooster, ritual, symbol Rooster and Its Role in Seven Paintings [Volume 1, Number 2] body intentionality Manifestation of Alchemy Symbols in Corresponding with Islamic Mysticism and Art [Volume 10, Number 41] cinema Reflections on the Ontology of Mass Art as Avant-garde Art [Volume 9, Number 36] cinema. A Study on the Effects of the Basics of Visual Arts in the Formation of Image Formats in Cinema [Volume 13, Number 53] classification of art history History of Stylistic Studies in the Historiography of Art in the West [Volume 3, Number 12] communication role Correspondence of Syntagmatic and Paradigmatic Axes Relations, and Their Transformation in Relation to the Communicative Role of Shahnameh Illustration in Shiraz School of Miniature [Volume 8, Number 33] comparative study of art, art history, artistic schools and styles, comparative history of art An Analytical Study of the Mutual Relationship between Art History and Comparative Study of Art [Volume 2, Number 6] comparative study. Analysis of The Relationship Between Theoretical Aesthetic Ideas And Modern- Postmodern Architectural Styles; (A Comparative Study Of Modern And Postmodern Architecture)ِِِ [Volume 10, Number 40] concepts of Islamic art studies “Contesting the Conceptual Categories ‘Islamic Civilization, Art or Masterpiece: A Reflection on the Problem” [Volume 4, Number 17] conjunction Artistic Expression in the Making of Sa’di’s Sonnet [Volume 8, Number 31] consumption Visuality and Visual Crisis: A Critical Reading of Everyday Life [Volume 4, Number 15] contemporary Dialogism in Contemporary Art Criticism [Volume 7, Number 26] contemporary Iranian painting Words in Pictures: A Semantic Analysis of the Role of Written Signs in Contemporary Iranian Painting (from 2000 onwards) [Volume 12, Number 49] contemporary architecture criticism The ‘Tower-Gate’: A New Type or an Empty Sign [Volume 5, Number 18] contemporary art Identifying the Position and the Role of Curator in the Formation Process of Contemporary Art Movements. [Volume 10, Number 40] contemporary figurative art The Meaning of Abjection in the Work of Julia Kristeva and its Reflection in Contemporary Figurative Art [Volume 5, Number 20] copy The Approach of "Appropriation Art" in a Selection of Visual Examples of Hand-Woven Iranian Carpets [Volume 13, Number 50] criticism A Reflection on the Concept of Ghadr (Value) in the Fundamental Theory of Art, Architecture, and Beauty in Islamic Civilization [Volume 2, Number 8] crown Symbolic Meanings of Persian Paisley (Bote Jeghe ) [Volume 4, Number 15] cubism painting Supremacy of the Subject in the Renaissance Perspective System and the Reaction of Cubism Painting to it [Volume 6, Number 23] cultural performance The Aesthetic of Performance in Ta’ziyeh and Female Audience [Volume 2, Number 9] design method Architecture Narration: A Comparative Study on Narration in Architecture and Story [Volume 7, Number 28] dharma The Relation between Aesthetics and Traditional Arts in Hinduism [Volume 7, Number 27] dialogism Study of Bruegel’s Painting Based on Bakhtin’s thoughts [Volume 4, Number 14] disciplinary power Heterotopian Cinema according to Foucault’s Discourse on Power [Volume 2, Number 8] disclosure, the great art, appropriating event, Greek art, world and earth, pre-aesthetical,techne Martin Heidegger and the Great Art of Ancient Greece [Volume 1, Number 3] discursive semiotics From Subject to Non-Subject: Semiotic Analysis of the Process of Subject Collapse in Contemporary Iranian Realist Paintings in the Last Two Decades [Volume 11, Number 45] double vision The Role of Avatar in Interactive Fictional World of Video Games [Volume 9, Number 35] eternality Monomyth reading of Alexander images [Volume 5, Number 21] event Considering the Relation of Lyotard’s Postmodern Sublime with the Concept of Event in Heidegger’s Philosophy [Volume 4, Number 15] event Death-Thinking and its Relation to Heidegger’s Art-Thinking [Volume 8, Number 32] exegesis in ancient Iran, Zand, Avesta,image worship in Zoroastrianism, Zurvan Exegesis in Ancient Iran and Its Influence on Artwork Interpretation [Volume 2, Number 6] exogenous vs. endogenous mediality Body (Non-) Presentation in Representing the Body:The Ideological Body in The Paintings of the School of Islamic Art and Thought (Hozeh Honari (1979-1992) [Volume 7, Number 29] feeling Work of Art as a Symbol: An Explanation of Susanne Langer’s Theory of Symbolization [Volume 4, Number 16] field of power Propaganda in Saqqakhaneh School of Art based on Pierre Bourdieu’s Sociological Theory [Volume 5, Number 19] film theory, language games, metanarrative, little narrative, validity crisis, theoretical frameworks The Validity Crisis in Contemporary Film Theory and Possible Solutions (1970-2012) [Volume 1, Number 4] focalization Comparison of Point of View based on Gérard Genette’s Focalization theory in Sophocles’ Ajax and Faulkner’s The Sound and the Fury [Volume 10, Number 41] form Analysis of the Relation of “Objects” and “Human” in the Architectural Form from the Point of View of Object-Oriented Ontology [Volume 11, Number 42] formalism A Study of the Essence of the Cinematic Frame According to the Metaphors of the Window and Framework [Volume 8, Number 32] garden, Persian garden, Pope, Persian art, architecture Persian Garden in Pope’s Perception: A Detailed Description of “Gardens” Article in the Book: “A Survey of Persian Art: From Prehistoric Times to the Present” [Volume 1, Number 2] garden-paradise (Bagh-Behesht), desire for paradise (Tamannay-e Maynoo), āšūrāī flags, Iranian landscape architecture, Iranian abstract art Garden Yearning – Desire for Paradise in Iranian Abstract Art With Reliance on Āšūrāī Flags [Volume 1, Number 2] global art market Standardisation and the Question of Identity: On The Dominant Discourses on Contemporary Iranian Art [Volume 3, Number 11] good Perception of Beauty in Viewpoint of Mullā Sadrā and its Explanation as Secondary Philosophical- Intelligible [Volume 4, Number 15] gradation A Conceptual Analysis of Beauty According to Its Ontological Truth: Based on Mulla Sadra’s Views [Volume 6, Number 23] handicraft Is the Handicraft Art? Search for finding the state of Handicraft among the arts, according Kant’s aesthetics [Volume 6, Number 22] historical texts of the Safavīd period. Criticism of art in Tīmūrīd and Safavīd historical texts [Volume 12, Number 48] historicism A Postmodernist Reading of Art Works Based on Fredric Jameson’s Ideas: Focusing on Parviz Tanavoli’s Hich Collection (1960s-2000s) [Volume 6, Number 23] history The impact of geography and history on the architectural meaning of subculture societies from the perspective of semiotics [Volume 12, Number 46] human temperaments An Analysis of Kant’s pre-Critical Approach towards the Sublime and the Beautiful [Volume 7, Number 26] hyper-reality, simulacrum,simulation, implosion, symbolic exchange, contemporary art Simulation: History and Concept A Survey on the Implications of Simulation for Contemporary Art and Society According to Jean Baudrillard [Volume 1, Number 2] icon, iconography, iconology, Erwin Panofsky, image Reading Image with Erwin Panofsky [Volume 2, Number 6] iconoclasm Sasanian Art: Iconography or Iconoclasm? [Volume 7, Number 26] ideal realism Explanation of Ideal Realism in Qajar Royal Painting and its Proportion with Persian Traditional Painting [Volume 4, Number 16] ideal/real beauty Alberti’s System of Human Proportions: The Mean between the Natural and the Transcendent [Volume 9, Number 35] imaginative creation Relation between Pleasure and Beauty In Khaji Nasir’s View [Volume 10, Number 38] imitation the Laws Tragedy in Plato’s “The Republic” [Volume 2, Number 9] implicit implication The Analysis of the Assassination and Mourning Imagery in Ilkhani's Shahnameh Relying on the Semiotics Roland Barthes [Volume 13, Number 52] incompatibility Badiou’s Incompatible Ideas about Artistic Truth [Volume 5, Number 21] individuality Analysis of the Aesthetic Principles of Experimental Cinema in Empiricism Philosophy [Volume 13, Number 51] interactive region Realization of the Symbiosis of Interior and Exterior in the Architecture of Mosques in Iran (with an Emphasis on Fuzzy Method) [Volume 5, Number 21] intertextuality An Intertextual explanation of the Sassanid architecture influence on Islamic architecture in terms of the concept of architecture and construction technology [Volume 12, Number 47] intertextuality A Critical Approach to the Intertextual Reading of Contemporary Iranian Art [Volume 9, Number 34] inward Perception of Beauty in Rumi’s View An Epistemological Approach [Volume 3, Number 10] judgment Studying the Effects of Tragedy in Moral and Cognitive Judgments According to David Hume [Volume 6, Number 24] justice A Study on the Evolution of Aesthetic Ideas in Four Treatises of Islamic Practical Wisdom [Volume 6, Number 24] liberal art, harmony, cosmic music, human music, instrumental music Liberal Arts and Cosmic Music: A Contemplation on Boethius’ Theory of Aesthetics [Volume 1, Number 2] linguistic functions Reviewing the Various Functions of the Social Documentary Photographs Based on the Linguistic Functions (Jacobson’s Communicative Theory) [Volume 5, Number 18] losing oneself, restlessness, wishlessness, intoxication “Losing Oneself” in Rumi’s Poetry and its Relation to Art [Volume 1, Number 1] manifestation Why the Beauty Exists? With the Emphasis on the baise of Sadraian ontology [Volume 5, Number 20] meaning Explaining the Role of Geometry and Imagination in Creation of Unique Architectures [Volume 9, Number 36] metamorphosis A Study of the Characteristics of the “Grotesque Body” in Four Contemporary Iranian Painters [Volume 8, Number 33] mimesis The Esssence and Quality of Poetry in Farabi’s his two Poetic Treatises: Kituboshe’r and Fi Qawanin Sena’ato Sho’ara [Volume 5, Number 20] miniature The Study of Prophet Muhammad Images in Mongolian Ilkhans’ Miniature Utilizing Iconographic Approach [Volume 9, Number 35] minstrel ritual, Fotowatnameh, moral advice, comparative study The Connections between Minstrel Music and Chivalry [Volume 1, Number 1] mixed sentiments Mendelssohn’s Theory of The Sublime [Volume 8, Number 30] modern perspectives Philosophy of History and Art Historiography from the Traditional and Modern Perspectives [Volume 3, Number 10] modernity Reading Michel Foucault’s Theory on Death and Function of Author and its Relation to Plagiarism [Volume 6, Number 23] moral value A Study on Moderate Moralists Perspective on the Relationship between Art and Morality [Volume 4, Number 16] motif Henri Maldiney: on Aesthetics & Rhythm [Volume 6, Number 22] movement Study of Animated Manifestations in Some of the Characters in the Paintings of Sultan Mohammad [Volume 11, Number 42] music Contemplation on the Position of Painting in Avicennian Philosophy [Volume 7, Number 28] mysticism (gnosis) Analysis of Meaning in the Niche Rug of the Metropolitan Museum by iconoloical method [Volume 9, Number 37] myth Video Art, Liminality, Mysticism [Volume 9, Number 36] myth, phenomenology, reality,concept, holy A Survey on the Concept of MYTH in Islam’s Way of Treatment: Deliberating on the Quranic Meaning of “Myth’s” Various Features And Its Phenomenological Connotation [Volume 1, Number 2] mīkhak guldān Independence and Adherence to Iranian Painting Tradition in Shafi Abbasi's “Mīkhak Guldān” [Volume 13, Number 51] narration The Subjective and Corporeal Perception of the Cinematographic Frame According to Kantian Viewpoint [Volume 7, Number 28] narrative The Representation of European Landscapes in Later Safavid Painting [Volume 9, Number 37] narrative thinking The Meaning of “Artistic Creation” for Kant and Heidegger and its Comparison with Ricoeur’s Understanding of “Narration” [Volume 6, Number 24] new iconology Trinity of body, medium and image in Hans belting’s view [Volume 3, Number 10] non-western Cross-Cultural Approaches in Art Criticism [Volume 3, Number 10] objective The Aesthetics of Lyric Poetry in Nietzsche’s The Birth of Tragedy [Volume 7, Number 28] one hundred years of solitude Phenomenology of Body and Place Drawing on Merleau-Ponty Case Study: One Hundred Years of Solitude by Gabriel Garcia Marquez [Volume 8, Number 31] other A Study On the Relationship Between “Self ” and “other” At the Early Stage of Modernism in Iran, In the play “ Ja’far Khan az farang bargashteh” by “Hassan Mohaghdam [Volume 6, Number 22] page layout Aesthetic aspects of visual representation in the annotation of the Quran Manuscripts [Volume 3, Number 13] painting of worldly and otherworldly drunkenness Retrieving Mystical Meanings in the Form and Structure of the Miniature of “Worldly and Otherworldly Drunkenness” [Volume 8, Number 32] painting, sonnet, Sa’ib Tabrizi, Isfahan School The Intertextual Relationship between Sa’ib’s poetical wisdom and the Paintings of Isfahan School [Volume 1, Number 3] pedagogy Explanation of Harry Broudy’s View with Respect to Aesthetic Education and its Link to Education via Pedagogical Theater [Volume 10, Number 40] perfection The relationship between Beauty and Metaphysics in Farabi [Volume 4, Number 14] performance John Cage and Catharsis in the Light of an Artistic Experience [Volume 6, Number 24] performance of “Field” Merleau-Ponty’s Philosophical Concepts: The Basis for the Analysis of Interactive Art in Performance of “ Field “ [Volume 5, Number 19] phenomenology of perception, Merlaeu-Ponty, Cezanne, modern art, painting Cezanne and Merlaeu-Ponty [Volume 2, Number 6] phenomenology, artwork, existence,truth, disclosure Heidegger and Hermeneutical Phenomenology of Art [Volume 1, Number 3] philosophy of art, Islamic philosophy, challenge, craft, art Islamic Philosophy and a Challenge: Philosophy of Islamic Art [Volume 1, Number 3] pictorial signs A Research on the Issue of Representation in Pop Art [Volume 2, Number 8] place The Metaphysical Foundation of Appearance of Linear Perspective Technique in Renaissance Painting [Volume 5, Number 21] place A Study of Time and Place in the Images of BĀYSONGORI ŠAHNAMA Using the Phenomenological Approach [Volume 7, Number 26] plausible and implausible Objectivity in the Criticism of Art Works: Based on Noel Carroll s Views [Volume 3, Number 13] poetic dwelling Learning from Heidegger: Phenomenology in Architecture The Impact of Heidegger’s Philosophy on Architectural Theory – The Identity of Place in Theories of C. Norberg-Schulz and C. Alexander [Volume 6, Number 25] poetry of Sohrab Sepehri Aesthetics of Everyday Life [Volume 11, Number 43] postponement of meaning A semiotic comparison of " optical metamorphosis" in four children's picture books: based on deconstructive approach [Volume 12, Number 47] prehistory Genealogy of Rhythmic Ritual Movements with Samaacheh [Volume 8, Number 32] purposiveness A Comparison between Purposiveness in Introduction and Third Moment and its Results [Volume 4, Number 14] radical democracy Lyotard’s Aesthetic Confrontation with Political Modernity [Volume 6, Number 23] reading of visual art Undecidability Boundaries (Parergon) in Painting: Reading Examples of Contemporary Iranian Visual Art [Volume 7, Number 26] real time Art and the Truth of Media at Post- Modern Era [Volume 2, Number 8] realistic style The Social Archigenre in Bahram Mirza’s Muraqqa based on Gerard Genette’s Theory [Volume 11, Number 43] recognition A Study of Gadamer’s Conception of Art as Representation [Volume 5, Number 21] regulation, architectural competitions, quality control, feedback systems, guidelines Analytical Approach To The Function Of Architectural Competitions In Iran [Volume 2, Number 5] religious art An Analysis on the Aspect of Art in Fotowatnamehs from the Perspective of Traditionalism [Volume 5, Number 20] repetition Centralism, Symmetry, and Repetition in Persian Traditional Arts [Volume 3, Number 10] representative mode Phenomenology of Performer’s Presence in Shabihkhani [Volume 5, Number 20] revolution of seasons Analyzing the Relation Between the Revolution of Taoism and Mise-en-scène in Chinese Cinema with an Emphasis on The House of Flying Daggers (2004) Zhang Yimou [Volume 13, Number 53] rug Analysis of the Narrative Elements of the Story of Prophet Moses Based on the Theory of the Single Myth of Joseph Campbell [Volume 11, Number 42] sacred architecture Sacred Architecture: The Incarnation of Correspondence between Human and Universe [Volume 2, Number 8] self-exploration A Study on the Reasons of Visual Artists’ Tendency to Self- Portrait [Volume 2, Number 8] self-reflectivity functions The Association between Cinema and Audience as “the other”, and the Order of Discourse in Bahram Beyzaei’s meta-film When We Are All Asleep [Volume 11, Number 42] sociability A Rousseauian Reading of Universal Subjectivity and General Will in theSecond Moment of Kant’s Critique of Judgment [Volume 2, Number 8] social position of the artist A Comparative Study on the Epistemology of Art in Iran and Europe Emphasizing the Social Position of the Artist [Volume 11, Number 45] spiral Model An Analysis of Achievement of the Philosophical Sense of “Extension” in Music, with Interpretaion of Ibn-e Sina’s Explanation an Extension [Volume 10, Number 40] student How does Doodling Effects on Students Learning as an Artistic Method? [Volume 4, Number 17] stylistic elements Methodology of Stylistic Study in Persian Carpet Design and Motifs [Volume 9, Number 37] survive The Study of Image by Aby Warburg [Volume 10, Number 41] symbology Iconographic Interpretation of Hunting Scenes in Sasanian Metalwork [Volume 3, Number 12] taste The Relation between Subjectivity and Intersubjectivity in Kant’s Theory of Taste [Volume 4, Number 16] technology The Rhetorical - Aesthetic Approach to Constructing the Relation between Images and Visual Inventions with Global Politics [Volume 9, Number 37] text Rereading the Issue of Author through the Cyberspace [Volume 4, Number 15] the essence of Islamic Art, Islamic thought, Traditionalists, tradition, manifestation Traditionalists on the Relationship between Islamic Thought and Islamic Art [Volume 1, Number 3] the objectivity of aesthetic properties Critique of Stephen Davies’ Views on the Relation between Art, Aesthetics, and Evolution based on Artful Species [Volume 7, Number 27] theater Temperament Knowledge as The Process of Creating and Studying Dramatic Characters ,Case study: The Beauty Queen of Leenane [Volume 10, Number 40] theatre Death Thought in Samuel Beckett’s Works [Volume 8, Number 32] thoughts of beauty Thoughts of Beauty Relying on Intentionality [Volume 11, Number 42] time Paul Ricoeur’s Reading Of Mimesis [Volume 6, Number 24] time, movement, the visual, camera’s consciousness, duration Picasso and the Issue of Image and Time (Deleuzian Reading of Picasso) [Volume 1, Number 4] totality The Genre of Landscape and Building-Painting (The Artistic) and the Discourse of Nationalism (The Political), during the Late Qajar and Early Pahlavi Periods an Analysis Based on “Mediation” and “Totality” in Methodology of Georg Lukács [Volume 7, Number 28] touch Herder and Reappraising Sculpture as Tactile Art [Volume 9, Number 34] tradition Evaluation of Sociological Components from the Perspective of the Confrontation between Tradition and Modernity in the Cinematic Works of the Seventies (with Emphasis on Films Under the Skin of the City and Two Women) [Volume 10, Number 39] traditional art 7 to 15 Centuries (AH) Iranian Muslim Scholars’ System of Thought in Viewing Iqa’ [Volume 8, Number 33] traditional art Comparison of Miniature of Mughal School and Herat School based on Coomaraswamy Thought [Volume 11, Number 43] tragedy. Analyzing the Influence of Aristotle's Poetics’ impact on the Baroque era and Elucidating his Influence on the Period's Paintings [Volume 13, Number 51] tree An Investigation of the Relevancy between Turco-Mongol Mythologies and the Motif of Tree in the Demotte Shahnameh and Jami al-Tavarikh from a Cultural Semiotic Point of View [Volume 9, Number 35] typical audience An Essay on Defending the Possibility of Ethical Criticism of Art [Volume 5, Number 19] undecidability Embodiment (Visualization) of Deconstruction: an analysis of deconstructive approaches in Surrealist Images of 20th Century [Volume 6, Number 22] univocity Philosophical Backgrounds of Symbol and Allegory in Mulla Sadra’s Thought [Volume 5, Number 18] visual space Critical Remarks on “Mystical Aesthetics” The Case of Persian Painting [Volume 4, Number 17] war film Genre Shift and Identity Maintenance – An Analysis of Iranian War Film Genres (1980-2013) with Niklas Luhmann’s Social Systems Theory [Volume 7, Number 29]