Traditional mosques in Islamic architecture are designed in a way that due to their characteristics of fluidity, gradually, get spectator to experience movement from lower levels to higher ones. So that levels of human evolution in Sadra’s wisdom are applicable to stages of motion in architecture. The purpose of this paper is to identify how motion in architectural space has impacts on the completion of its observer. The selected research method is interpretation which explores the relationship between drives of the fluid space with the Substantial Movement of human’s soul in the context of a perceptual experience by space observer. The findings point to the fact that the success of a work of architecture is when space is not neutral and affects its supervisor. When such a space encourages observer to move while gets the eyes, feet and mind of him out of his hand and this is clearly visible in Tabriz Blue Mosque