In this article, the authors make an attempt to re-examine the neglected portions of ritual-artistic dance by presenting new evidence and using paid theories through phenomenological study of this art. The fundamental results of the present study, which will be obtained by a quantitative phenomenological and an interpretivehistorical approach, the social and religious contexts of this pervasive phenomenon in the culture of the ancients will show that “Dance with Samaacheh” is an integral part of the life mixed with metanarrative world view of pre-historic people. It will also reveal the origin, base, process and factors associated with its formation and consequence of its continuation and use. The importance of research becomes more apparent when it is understood that “Dance with Samaacheh” has not ceased in its pre-historic past and is still present in many cultural, artistic, social and religious contexts in most societies and cultures.