[Home ] [Archive]   [ فارسی ]  
:: Main :: About :: Current Issue :: Archive :: Search :: Submit :: Contact ::
Main Menu
About ARIA::
Journal Information::
Articles archive::
For Authors::
For Reviewers::
Contact us::
Site Facilities::
Search in website

Advanced Search
Receive site information
Enter your Email in the following box to receive the site news and information.
:: Volume 11, Issue 42 (Spring 2022) ::
کیمیای هنر 2022, 11(42): 83-99 Back to browse issues page
Study of Animated Manifestations in Some of the Characters in the Paintings of Sultan Mohammad
Seyed Mohammad Taheri Qomi *
Abstract:   (1288 Views)
In the Persian traditional painting, we confront a special view. It changes the coordinates of our visual comprehension in order to abshact from matter and representation of realities which are cryptographic behind that, and it changes the known rules of seeing and accepting. In a fantastic atmosphere such as Persian painting, there is a special system which the whole of qualities are affected by it.
The “Movement“ as an important element is one of those elements. Persian painter who is affected by rich Persian philosophy and literature, notes the “Movement” as an important matter and although he hasn’t any tools for actual ideogram of “Movement“, he tries to express his sightly moves in 2D paper, that’s his equipment in best conditions. All of the exaggerates and stylizations which applied on the human figures are special movement creators.
One of the leading Iranian painters who has embodied spaces full of fantasy and pure imagination in his paintings, Sultan Mohammad Naghash, is one of the painters of Tabriz II school. This study tries to examine these images of motion fantasy; The author’s question is: “In what form and style are the animated effects in the human characters of Sultan Muhammad’s works manifested?” The purpose of this study is to achieve a meaningful structure and purposeful method in drawing human figures and also to achieve a coherent and generalizable method in the body of contemporary Iranian visual arts. The research method is based on the descriptive-analytical study of Sultan Mohammad’s iconography and adopts a two-way structuralist-semantic approach. The result of this study is to understand and receive the method of exaggeration and special transformation of Sultan Mohammad in drawing the figures based on the intended meaning of the drawing and predicting the way of movement for the mentioned figures.

Keywords: Iranian Painting, animation, Sultan Mohammad, human figure, fantasy, movement
Full-Text [PDF 1053 kb]   (666 Downloads)    
Type of Study: Research | Subject: Special
Received: 2021/08/2 | Accepted: 2022/06/10
Send email to the article author

Add your comments about this article
Your username or Email:


XML   Persian Abstract   Print

Download citation:
BibTeX | RIS | EndNote | Medlars | ProCite | Reference Manager | RefWorks
Send citation to:

Taheri Qomi S M. Study of Animated Manifestations in Some of the Characters in the Paintings of Sultan Mohammad. کیمیای هنر 2022; 11 (42) :83-99
URL: http://kimiahonar.ir/article-1-2083-en.html

Rights and permissions
Creative Commons License This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Volume 11, Issue 42 (Spring 2022) Back to browse issues page
Persian site map - English site map - Created in 0.05 seconds with 37 queries by YEKTAWEB 4657