Authors Index

Select issue All issues Volume 1, Number 1 Volume 1, Number 2 Volume 1, Number 3 Volume 1, Number 4 Volume 2, Number 5 Volume 2, Number 6 Volume 2, Number 7 Volume 2, Number 8 Volume 2, Number 9 Volume 3, Number 10 Volume 3, Number 11 Volume 3, Number 12 Volume 3, Number 13 Volume 4, Number 14 Volume 4, Number 15 Volume 4, Number 16 Volume 4, Number 17 Volume 5, Number 18 Volume 5, Number 19 Volume 5, Number 20 Volume 5, Number 21 Volume 6, Number 22 Volume 6, Number 23 Volume 6, Number 24 Volume 6, Number 25 Volume 7, Number 26 Volume 7, Number 27 Volume 7, Number 28 Volume 7, Number 29 Volume 8, Number 30 Volume 8, Number 31 Volume 8, Number 32 Volume 8, Number 33 Volume 9, Number 34 Volume 9, Number 35 Volume 9, Number 36 Volume 9, Number 37 Volume 10, Number 38 Volume 10, Number 39 Volume 10, Number 40 Volume 10, Number 41 Volume 11, Number 42 Volume 11, Number 43 Volume 11, Number 44 Volume 11, Number 45 Volume 12, Number 46 Volume 12, Number 47 Volume 12, Number 48 Volume 12, Number 49 Volume 13, Number 50 Volume 13, Number 51 Volume 13, Number 52 Volume 13, Number 53 All issues

Bolkhari Ghahi, Hasan Social Factors Influencing the Growth and Development of the Arts Based on Ibn Khaldun's Theory of the Sociology of Art [Volume 13, Number 53] Mirlohi, Parima Social Factors Influencing the Growth and Development of the Arts Based on Ibn Khaldun's Theory of the Sociology of Art [Volume 13, Number 53] Masominia, Arezoo A Study on the Effects of the Basics of Visual Arts in the Formation of Image Formats in Cinema [Volume 13, Number 53] Mohammadi Vakil, Mina A Study on the Effects of the Basics of Visual Arts in the Formation of Image Formats in Cinema [Volume 13, Number 53] Taqavi, Ali The Relationship between Shusterman's "Somaesthetics" and Baumgarten's "Aesthetics" and its Implications for Contemporary Aesthetics [Volume 13, Number 53] Pazouki, Shahab The Relationship between Shusterman's "Somaesthetics" and Baumgarten's "Aesthetics" and its Implications for Contemporary Aesthetics [Volume 13, Number 53] Rafiei, Abdaleh Analyzing the Relation Between the Revolution of Taoism and Mise-en-scène in Chinese Cinema with an Emphasis on The House of Flying Daggers (2004) Zhang Yimou [Volume 13, Number 53] Fallahnezhad Dalivand, Faraz Analyzing the Relation Between the Revolution of Taoism and Mise-en-scène in Chinese Cinema with an Emphasis on The House of Flying Daggers (2004) Zhang Yimou [Volume 13, Number 53] Khabbazi Kenari, Mehdi Analyzing the Relation Between the Revolution of Taoism and Mise-en-scène in Chinese Cinema with an Emphasis on The House of Flying Daggers (2004) Zhang Yimou [Volume 13, Number 53] Rafiei, Karen Analyzing the Relation Between the Revolution of Taoism and Mise-en-scène in Chinese Cinema with an Emphasis on The House of Flying Daggers (2004) Zhang Yimou [Volume 13, Number 53] Amoian, Forough The Configuration of Four Elements in Metal Tallow Burners in the Seljuk Period: Gaston Bachelard's Imaginative Criticism Approach [Volume 13, Number 53] Shahbazi, Ramtin Explaining the Function of the Concept of Time-Image as a Form of Recovery of the New in Deleuze's Cinematographic Image with a Look at Mohammad Reza Aslani's Cinema [Volume 13, Number 53] Banakar, Iman Explaining the Function of the Concept of Time-Image as a Form of Recovery of the New in Deleuze's Cinematographic Image with a Look at Mohammad Reza Aslani's Cinema [Volume 13, Number 53] Mohammadi, Manzar Clothes As body, for Criticising Violence: Analysing Works of Doris Salcedo, Christian Boltanski and Anselm Kiefer According to Julia Kristeva’s Abject Theory [Volume 13, Number 52] Shahrokhi, Somaieh Clothes As body, for Criticising Violence: Analysing Works of Doris Salcedo, Christian Boltanski and Anselm Kiefer According to Julia Kristeva’s Abject Theory [Volume 13, Number 52] Saber, Zeynab The Analysis of the Assassination and Mourning Imagery in Ilkhani's Shahnameh Relying on the Semiotics Roland Barthes [Volume 13, Number 52] Bagherizadeh, Fatemeh The Analysis of the Assassination and Mourning Imagery in Ilkhani's Shahnameh Relying on the Semiotics Roland Barthes [Volume 13, Number 52] Mehdipour Moghaddam, Zahra Genealogy of Indian Mughal Emperors' Jewels Narration by Royal Iconography (Case Study: Painting of “The Rulers of the Mughal Dynasty from Babur to Awrangzeb, with Their Ancestor Timur”) [Volume 13, Number 52] Kamali Dolat Abadi, Rasool Aesthetic Components of Art and the Place of Art and Artist in Kierkegaard's Philosophy [Volume 13, Number 52] Yazdanpanah, Mohammad Mostafa The Emergence and Publicization of Painting as an Independent Art Medium in Iranian Society [Volume 13, Number 52] Wahdattalab, Massud An Approach to Vital Art from the Perspective of the Aesthetics of Grace [Volume 13, Number 52] Ghadimzadeh, Somayyeh An Approach to Vital Art from the Perspective of the Aesthetics of Grace [Volume 13, Number 52] Sarkarati, Fatemeh Analyzing the Influence of Aristotle's Poetics’ impact on the Baroque era and Elucidating his Influence on the Period's Paintings [Volume 13, Number 51] Alipour, Reza Analyzing the Influence of Aristotle's Poetics’ impact on the Baroque era and Elucidating his Influence on the Period's Paintings [Volume 13, Number 51] Parvanehpoor, Majid Effective Factors in the Popularity and Longevity of Ey Iran Song [Volume 13, Number 51] Rahbar, Ilnaz Effective Factors in the Popularity and Longevity of Ey Iran Song [Volume 13, Number 51] Fakki, Khashayar Effective Factors in the Popularity and Longevity of Ey Iran Song [Volume 13, Number 51] Jahangard, Aliakbar Independence and Adherence to Iranian Painting Tradition in Shafi Abbasi's “Mīkhak Guldān” [Volume 13, Number 51] Sheykhi, Mahboobe Independence and Adherence to Iranian Painting Tradition in Shafi Abbasi's “Mīkhak Guldān” [Volume 13, Number 51] Saranjam, Mohammad Hossein Analysis of the Aesthetic Principles of Experimental Cinema in Empiricism Philosophy [Volume 13, Number 51] Kianian, Majid Analysis of the Aesthetic Principles of Experimental Cinema in Empiricism Philosophy [Volume 13, Number 51] Mafitabar, Ameneh Re-Envisioning Form in Shi’a Art: An Examination Through Four Zarih Pooshes (Shrine-Covering Cloth) at the Imam Reza Holy Shrine [Volume 13, Number 51] Ramezanmahi, Somayeh Studying Different Aspects of Learning in the Naqqāli of the Qajar Period based on David Kolb's Model [Volume 13, Number 51] Taher, Zohreh A Study of the Relationship between Myth and Art based on Aesthetic Imagination in the Final Output of the Components of Mythical Consciousness [Volume 12, Number 49] Afzaltousi, Efatsadat A Study of the Relationship between Myth and Art based on Aesthetic Imagination in the Final Output of the Components of Mythical Consciousness [Volume 12, Number 49] Fahimifar, Aliasqar The Study of Relationship Between the Discourse of Nationalism and the Artistic Movement of Khorous Jangi and Apadana Gallery; Based on the Study of the Symbol of Rooster [Volume 13, Number 50] Eskandari, Rasool The Study of Relationship Between the Discourse of Nationalism and the Artistic Movement of Khorous Jangi and Apadana Gallery; Based on the Study of the Symbol of Rooster [Volume 13, Number 50] Ghaedy, Yahya Reconstructing The “Aesthetic approach” in The Philosophy of Music Education [Volume 13, Number 50] Berangi, Saharnaz Reconstructing The “Aesthetic approach” in The Philosophy of Music Education [Volume 13, Number 50] Moradkhani, Ali Reconstructing The “Aesthetic approach” in The Philosophy of Music Education [Volume 13, Number 50] Afrough, Mohammad The Approach of "Appropriation Art" in a Selection of Visual Examples of Hand-Woven Iranian Carpets [Volume 13, Number 50] Sibouyeh, Narges Hypertextual Study of Bahman Jalali's "Taṣvīr Khīyāl" Photo Collection, Based on Gérard Genette's Theory of Transtextuality [Volume 13, Number 50] Asadi, Houman The Role of Readability Species, Especially Sound Output in the Conservation and Restoration of Musical Instruments [Volume 13, Number 50] Samanian, Samad The Role of Readability Species, Especially Sound Output in the Conservation and Restoration of Musical Instruments [Volume 13, Number 50] Younesi, Hamed The Role of Readability Species, Especially Sound Output in the Conservation and Restoration of Musical Instruments [Volume 13, Number 50] Taheri, Sadreddin The Aesthetics of the Sublime in Theodor Adorno's Thought [Volume 13, Number 50] Saboonchi, Ali The Aesthetics of the Sublime in Theodor Adorno's Thought [Volume 13, Number 50] Sanizadeh, Taha The Analysis of Iranian Artists’ Inclination toward Sufism and Mysticism during the Islamic Age [Volume 12, Number 49] Khaksar, Ali The Analysis of Iranian Artists’ Inclination toward Sufism and Mysticism during the Islamic Age [Volume 12, Number 49] Hasanpour, Mohsen The Visual Structure of the Typography of the Posters of the Fourth and Fifth Generation of Iranian Graphic Designers from the Perspective of Gestalt Visual Perception [Volume 12, Number 49] Azam Kasiri, Atoosa The Visual Structure of the Typography of the Posters of the Fourth and Fifth Generation of Iranian Graphic Designers from the Perspective of Gestalt Visual Perception [Volume 12, Number 49] Afrouzi, Mohsen The Visual Structure of the Typography of the Posters of the Fourth and Fifth Generation of Iranian Graphic Designers from the Perspective of Gestalt Visual Perception [Volume 12, Number 49] Elyasi, Behrooz Analysis of the relationship between Mastership and Servitude to Express the Divine order in the Art of Sculpture based on Hegel's Thought [Volume 12, Number 49] Akbari Naseri, Mahboobeh Analysis of the relationship between Mastership and Servitude to Express the Divine order in the Art of Sculpture based on Hegel's Thought [Volume 12, Number 49] Alemi, Mariya Words in Pictures: A Semantic Analysis of the Role of Written Signs in Contemporary Iranian Painting (from 2000 onwards) [Volume 12, Number 49] Royan, Samira Words in Pictures: A Semantic Analysis of the Role of Written Signs in Contemporary Iranian Painting (from 2000 onwards) [Volume 12, Number 49] Salahi, Maryam Analyzing the Miniatures of Rostam's Seven Labors in Tahmasbi Shahnama Based on Cultural Semiotics Pattern [Volume 12, Number 49] Shayestehfar, Mahnaz Analyzing the Miniatures of Rostam's Seven Labors in Tahmasbi Shahnama Based on Cultural Semiotics Pattern [Volume 12, Number 49] Mirlohi, Parima Transcendental Art, Artist and Sublime Art’s Audience from Muhamad Ghazali’s Perspective [Volume 12, Number 48] Maneshi, Saghar Mimetic and Diegetic Narratology: A Comparative Study on Akhundzadeh’s The Miser and Ibrahim Sinasi’s The Wedding of the Poet [Volume 12, Number 48] Ghahramani, Mohammad Bagher Mimetic and Diegetic Narratology: A Comparative Study on Akhundzadeh’s The Miser and Ibrahim Sinasi’s The Wedding of the Poet [Volume 12, Number 48] Bolkhari Ghahi, Hassan Mimetic and Diegetic Narratology: A Comparative Study on Akhundzadeh’s The Miser and Ibrahim Sinasi’s The Wedding of the Poet [Volume 12, Number 48] Mahmoudi Bakhtiari, Behrouz Mimetic and Diegetic Narratology: A Comparative Study on Akhundzadeh’s The Miser and Ibrahim Sinasi’s The Wedding of the Poet [Volume 12, Number 48] Rahimi Pordanjani, Hanif Criticism of art in Tīmūrīd and Safavīd historical texts [Volume 12, Number 48] Alizadeh, Saeid Avicenna’s Perspective of Intelligible Imagination and Its Reflection in Drawing of the Compound Images of the Painting of “Zakarya Hiding inside the Tree” [Volume 12, Number 48] Mohammadzadeh, Mehdi Avicenna’s Perspective of Intelligible Imagination and Its Reflection in Drawing of the Compound Images of the Painting of “Zakarya Hiding inside the Tree” [Volume 12, Number 48] Rezapour Moghadam, Roya Avicenna’s Perspective of Intelligible Imagination and Its Reflection in Drawing of the Compound Images of the Painting of “Zakarya Hiding inside the Tree” [Volume 12, Number 48] Shaygan far, Nader An Ontological Reflection on The Transformation of Friendship into Enmity in McDonagh's The Banshees of Inisherin by Relying on Heidegger's Being and Time [Volume 12, Number 48] Daneshjo, Khosro Explanation of the Criteria for the Influence of the Hermeneutic Phenomenology of Place on the Architectural Design Process [Volume 12, Number 48] Zabihi, Hossein Explanation of the Criteria for the Influence of the Hermeneutic Phenomenology of Place on the Architectural Design Process [Volume 12, Number 48] Abdolkarimi Komleh, Hafez Explanation of the Criteria for the Influence of the Hermeneutic Phenomenology of Place on the Architectural Design Process [Volume 12, Number 48] Esmaielzadeh, Kheyzaran Critical analysis of the Saqqakhane movement based on the concept of culture industry in Adorno's thought [Volume 12, Number 47] Zaker Jafari, Narges Critical analysis of the Saqqakhane movement based on the concept of culture industry in Adorno's thought [Volume 12, Number 47] Homayounnezhad, Sahar Critical analysis of the Saqqakhane movement based on the concept of culture industry in Adorno's thought [Volume 12, Number 47] Zanjanbar, Amirhossein A semiotic comparison of " optical metamorphosis" in four children's picture books: based on deconstructive approach [Volume 12, Number 47] Kakavand, Samaneh The Relationship between the Qābi Design and the Medium in the Art of Zand Iran [Volume 12, Number 47] Mohammadzadeh, Mahdi Analyzing the Principle of Visual Unity and Integration in the Grivar Monotheistic Inscription in the Davazdah Imam Mausoleum of Yazd [Volume 12, Number 47] Hatami, Safieh Analyzing the Principle of Visual Unity and Integration in the Grivar Monotheistic Inscription in the Davazdah Imam Mausoleum of Yazd [Volume 12, Number 47] Mirshahzadeh, Shervin An Intertextual explanation of the Sassanid architecture influence on Islamic architecture in terms of the concept of architecture and construction technology [Volume 12, Number 47] Soltnzadeh, Hossein An Intertextual explanation of the Sassanid architecture influence on Islamic architecture in terms of the concept of architecture and construction technology [Volume 12, Number 47] Mirhashemi Routeh, Seyed Ehsan An Intertextual explanation of the Sassanid architecture influence on Islamic architecture in terms of the concept of architecture and construction technology [Volume 12, Number 47] Shayganfar, Nader Explaining the Concept of Taste According to Hume in the Horizon of the Institutional Theory of Art [Volume 12, Number 47] Sarebannejad, Mohsen Explaining the Concept of Taste According to Hume in the Horizon of the Institutional Theory of Art [Volume 12, Number 47] Sami, Sepideh Research on the play "Abbaseh, king's Sister" by Reza Kamal Shahrazad based on Gérard Genet's theory of Hypertextuality [Volume 12, Number 46] Azhand, Yaghoub Research on the play "Abbaseh, king's Sister" by Reza Kamal Shahrazad based on Gérard Genet's theory of Hypertextuality [Volume 12, Number 46] Nasri, Amir The Lacanian split subject and its reflection in Marlene Dumas’s portrait paintings [Volume 12, Number 46] Moradkhani, Ali The Lacanian split subject and its reflection in Marlene Dumas’s portrait paintings [Volume 12, Number 46] Esmaeil, Nasrin The Lacanian split subject and its reflection in Marlene Dumas’s portrait paintings [Volume 12, Number 46] Mehrbani, Mehrzad Explaining the effect of images in interior architecture on health and treatment based on traditional medicine [Volume 12, Number 46] Rahimimehr , Vahideh Explaining the effect of images in interior architecture on health and treatment based on traditional medicine [Volume 12, Number 46] Ardalani, Hossein A Rereading of Farideh Lashaee's Paintings in Light of Merleau-Ponty's Ideas [Volume 12, Number 46] Hosseini , Seyede Marzie A Rereading of Farideh Lashaee's Paintings in Light of Merleau-Ponty's Ideas [Volume 12, Number 46] Pourzargar, Mohammadreza The impact of geography and history on the architectural meaning of subculture societies from the perspective of semiotics [Volume 12, Number 46] Shali Amini, Vahid The impact of geography and history on the architectural meaning of subculture societies from the perspective of semiotics [Volume 12, Number 46] Bakhtiari, Nikoo The impact of geography and history on the architectural meaning of subculture societies from the perspective of semiotics [Volume 12, Number 46] Fadavi, Seyed Mohammad Analysing Concept and Meaning of the Word “Eslimi” (An Arabesque) in Islamic Art from The Viewpoint of Islamic Wisdom [Volume 12, Number 46] Bolkhari, Hasam Analysing Concept and Meaning of the Word “Eslimi” (An Arabesque) in Islamic Art from The Viewpoint of Islamic Wisdom [Volume 12, Number 46] Radjaei, Mahdi Analysing Concept and Meaning of the Word “Eslimi” (An Arabesque) in Islamic Art from The Viewpoint of Islamic Wisdom [Volume 12, Number 46] Mozafarikhah, Zeinab Investigating the Characteristics of Identity with an Emphasis on Imam Khomeini’s Theory in the 1988 Statement Addressed to Artists and its Impact on the Art of the Islamic Revolution [Volume 11, Number 45] Afshar, Hamidreza The phenomenology of place and Space in Theater stage According to Norberg Schulz Case study: Directing of Elinstein on the Beach by Robert Wilson [Volume 9, Number 37] Abdollahi Musalu, Elnaz The phenomenology of place and Space in Theater stage According to Norberg Schulz Case study: Directing of Elinstein on the Beach by Robert Wilson [Volume 9, Number 37] Ziaee, Majid From Subject to Non-Subject: Semiotic Analysis of the Process of Subject Collapse in Contemporary Iranian Realist Paintings in the Last Two Decades [Volume 11, Number 45] Shairه, Hamidreza From Subject to Non-Subject: Semiotic Analysis of the Process of Subject Collapse in Contemporary Iranian Realist Paintings in the Last Two Decades [Volume 11, Number 45] Ghassemi, Vida From Subject to Non-Subject: Semiotic Analysis of the Process of Subject Collapse in Contemporary Iranian Realist Paintings in the Last Two Decades [Volume 11, Number 45] Sheykhi, Mahboobe How to Redefine Kamal-ol-Molk in Honar-va-Mardom Magazine of the 40s and 50s and its Relationship with the Modernization Process of Iran [Volume 11, Number 45] Jahangard , Aliakbar How to Redefine Kamal-ol-Molk in Honar-va-Mardom Magazine of the 40s and 50s and its Relationship with the Modernization Process of Iran [Volume 11, Number 45] Mohammadi Vakil, Mina A Comparative Study on the Epistemology of Art in Iran and Europe Emphasizing the Social Position of the Artist [Volume 11, Number 45] Bakhtiarian, Maryam The Influence of the Philosophy of Natural Beauty on Environmental Ethics with an Emphasis on the Educational Value of Nature Documentary Film [Volume 11, Number 45] Salimi, Sepehr A Practical Dramaturgy for Actors through Theatrical Production Procedures [Volume 11, Number 45] Afshar, Hamidreza A Practical Dramaturgy for Actors through Theatrical Production Procedures [Volume 11, Number 45] Heidari, Ahmad The Sacred Wisdom and Art of Mandala; Analysis of Plan the Vastu Purusha Mandala and Its effect on the Architectural Structure of Iranian Fire Temples [Volume 11, Number 44] Ardalani, Hossein Interactive Art Analysis Based on Baudrillard’s Hyper reality Theory, a Case Study of Digital Interactive installation [Volume 11, Number 44] Mostafavi, Shamsolmolook Interactive Art Analysis Based on Baudrillard’s Hyper reality Theory, a Case Study of Digital Interactive installation [Volume 11, Number 44] Homayounfar, Rashno Interactive Art Analysis Based on Baudrillard’s Hyper reality Theory, a Case Study of Digital Interactive installation [Volume 11, Number 44] Fakhrian Langroudi, Elaheh Deconstruction of Language and Expression in Kiarostami’s Cinema A case study on “Shirin” [Volume 11, Number 44] Saber, Zeinab The categorization of “Iran’s handicrafts” at the intersection of “Westernism discourse” with “Orientalism discourse” in the Qajar period [Volume 11, Number 44] Soheili Esfahani, Behrouz The categorization of “Iran’s handicrafts” at the intersection of “Westernism discourse” with “Orientalism discourse” in the Qajar period [Volume 11, Number 44] Shayeganfar, Nader A Study the Rupture in Royal Portraiture of Qajar era based on Michel Foucault’s Theory of Power [Volume 11, Number 44] Abdolmohammadi, Mohammad Ali A Study the Rupture in Royal Portraiture of Qajar era based on Michel Foucault’s Theory of Power [Volume 11, Number 44] Sheibani Rezvani, Firoozeh A Reading of the Animal Defender Art in Terms of Ethics and Political Economy [Volume 11, Number 44] Shokry, Mohammad Aesthetics of Everyday Life [Volume 11, Number 43] Soltan Kashefi, Jalaledin Aesthetics of Everyday Life [Volume 11, Number 43] Moradkhani, Ali Aesthetics of Everyday Life [Volume 11, Number 43] Amini, Leila Aesthetics of Everyday Life [Volume 11, Number 43] Dianati, Sahar Handwoven Rugs Throughout The Qajar Period And The Impact Of Cultural Globalization [Volume 11, Number 43] Moradi, Alireza Handwoven Rugs Throughout The Qajar Period And The Impact Of Cultural Globalization [Volume 11, Number 43] Ardalani, Hossein Aesthetics with a Focus on the Concept of Ethics from the Perspective of Yuriko Saito [Volume 11, Number 43] Rezvani, Habibeh Aesthetics with a Focus on the Concept of Ethics from the Perspective of Yuriko Saito [Volume 11, Number 43] Mousavi, Seyed Mohsen Comparison of Miniature of Mughal School and Herat School based on Coomaraswamy Thought [Volume 11, Number 43] Aghaei, Abdollah Legitimizing Art in the Prefaces of Tīmūrīd and Safavīd Albums [Volume 11, Number 43] Rahimi Pordanjani, Hanif Legitimizing Art in the Prefaces of Tīmūrīd and Safavīd Albums [Volume 11, Number 43] Namvar Motlagh , Bahman The Social Archigenre in Bahram Mirza’s Muraqqa based on Gerard Genette’s Theory [Volume 11, Number 43] Bolkhari Ghahi, Hasan The Social Archigenre in Bahram Mirza’s Muraqqa based on Gerard Genette’s Theory [Volume 11, Number 43] Zarghami, Seyedeh Nafiseh The Social Archigenre in Bahram Mirza’s Muraqqa based on Gerard Genette’s Theory [Volume 11, Number 43] Mehdipour Moghaddam, Zahra Analysis of Contemporary Indian Jewelry with the Dialogism approach of Mikhail Bakhtin (Case study: Indian Jewelry in 2020) [Volume 11, Number 43] Shokrpour, Shahryar Analysis of Contemporary Indian Jewelry with the Dialogism approach of Mikhail Bakhtin (Case study: Indian Jewelry in 2020) [Volume 11, Number 43] Gholamali, Asadollah Historical Evolution of the Narrative Theme of Ariadne’s Abandonment in European Painting [Volume 11, Number 42] Refahi, Hoda Historical Evolution of the Narrative Theme of Ariadne’s Abandonment in European Painting [Volume 11, Number 42] Javid Sabaghian, Meghdad Historical Evolution of the Narrative Theme of Ariadne’s Abandonment in European Painting [Volume 11, Number 42] Behbahani, Homa Analysis of the Relation of “Objects” and “Human” in the Architectural Form from the Point of View of Object-Oriented Ontology [Volume 11, Number 42] Dabagh, Amir Masaud Analysis of the Relation of “Objects” and “Human” in the Architectural Form from the Point of View of Object-Oriented Ontology [Volume 11, Number 42] Shaliamini, Vahid Analysis of the Relation of “Objects” and “Human” in the Architectural Form from the Point of View of Object-Oriented Ontology [Volume 11, Number 42] Shahhoseini, Roshina Analysis of the Relation of “Objects” and “Human” in the Architectural Form from the Point of View of Object-Oriented Ontology [Volume 11, Number 42] Shairi, Hamidreza Explanation of Harry Broudy’s View with Respect to Aesthetic Education and its Link to Education via Pedagogical Theater [Volume 10, Number 40] Delkhah, Masoud Explanation of Harry Broudy’s View with Respect to Aesthetic Education and its Link to Education via Pedagogical Theater [Volume 10, Number 40] Kazemi Yazdi, Neda Explanation of Harry Broudy’s View with Respect to Aesthetic Education and its Link to Education via Pedagogical Theater [Volume 10, Number 40] Moradkhani, Ali The Dialectic of Truth and Appearance in Lacan’s Reading of Gerhard Richter’s Overpainted-from-photographs [Volume 9, Number 36] Esmaeili, Nasrin The Dialectic of Truth and Appearance in Lacan’s Reading of Gerhard Richter’s Overpainted-from-photographs [Volume 9, Number 36] Taheri Qomi, Seyed Mohammad Study of Animated Manifestations in Some of the Characters in the Paintings of Sultan Mohammad [Volume 11, Number 42] Afrough, Mohammad Analysis of the Narrative Elements of the Story of Prophet Moses Based on the Theory of the Single Myth of Joseph Campbell [Volume 11, Number 42] Shayganfar , Nader The Association between Cinema and Audience as “the other”, and the Order of Discourse in Bahram Beyzaei’s meta-film When We Are All Asleep [Volume 11, Number 42] Nasiri Hanis, Jalal The Association between Cinema and Audience as “the other”, and the Order of Discourse in Bahram Beyzaei’s meta-film When We Are All Asleep [Volume 11, Number 42] Taqavi, Ali Adaptation and Abridgment of Literary Texts in Painting Case Study: Analysis of Three Selected Narrations and Paintings of Khamseh Nezami of Shah Tahmasebi [Volume 11, Number 42] Pirnakan, Daryosh Thoughts of Beauty Relying on Intentionality [Volume 11, Number 42] Bolkhari Ghahi, Hasan Thoughts of Beauty Relying on Intentionality [Volume 11, Number 42] Abasi, Habibollah Thoughts of Beauty Relying on Intentionality [Volume 11, Number 42] Abdaltajdini, Behzad Thoughts of Beauty Relying on Intentionality [Volume 11, Number 42] Sheibani, Firoozeh Reflection of Heidegger’s Attitude in the Analysis of Cézanne’s Paintings from Merleau-Ponty’s Point of View based on the Theory of Being-in-the-World [Volume 10, Number 41] Bakhtiarian, Maryam Reflection of Heidegger’s Attitude in the Analysis of Cézanne’s Paintings from Merleau-Ponty’s Point of View based on the Theory of Being-in-the-World [Volume 10, Number 41] Barzanji, Navid Reflection of Heidegger’s Attitude in the Analysis of Cézanne’s Paintings from Merleau-Ponty’s Point of View based on the Theory of Being-in-the-World [Volume 10, Number 41] Andalibi, Mohammad Amin Comparison of Point of View based on Gérard Genette’s Focalization theory in Sophocles’ Ajax and Faulkner’s The Sound and the Fury [Volume 10, Number 41] Zahedi, Farindokht Psychoanalytic Reading of the Play This is not a Pipe, written by Seyyed Mohammad Mosavat based on the Views of Jacques Lacan [Volume 10, Number 41] BolkhariGhahi, Hasan Psychoanalytic Reading of the Play This is not a Pipe, written by Seyyed Mohammad Mosavat based on the Views of Jacques Lacan [Volume 10, Number 41] Naeemi, Ghazal Psychoanalytic Reading of the Play This is not a Pipe, written by Seyyed Mohammad Mosavat based on the Views of Jacques Lacan [Volume 10, Number 41] Liberati, Nicola The Role of Avatar in Interactive Fictional World of Video Games [Volume 9, Number 35] Manavirad, Mitra The Role of Avatar in Interactive Fictional World of Video Games [Volume 9, Number 35] Rafizadeh Akhavian, Reihaneh The Role of Avatar in Interactive Fictional World of Video Games [Volume 9, Number 35] Aminzadeh, Bamdad Manifestation of Alchemy Symbols in Corresponding with Islamic Mysticism and Art [Volume 10, Number 41] Aghaie , Abdollah The Study of Image by Aby Warburg [Volume 10, Number 41] Qadernezhad, Mehdi The Study of Image by Aby Warburg [Volume 10, Number 41] Fanaei, Zahra Analysis and Comparative of Grimas Actor Model in Pictures and Story of Sheikh Sanan [Volume 10, Number 41] Amini, Rahmat Delineating Aesthetic and Educational Aspects of Theater of the Oppressed Using John Dewey’s Ideas [Volume 10, Number 40] Shayganfar, Nader Delineating Aesthetic and Educational Aspects of Theater of the Oppressed Using John Dewey’s Ideas [Volume 10, Number 40] Hasannia, Milad Delineating Aesthetic and Educational Aspects of Theater of the Oppressed Using John Dewey’s Ideas [Volume 10, Number 40] Seyed Abolghasem Khan, Nasrin Temperament Knowledge as The Process of Creating and Studying Dramatic Characters ,Case study: The Beauty Queen of Leenane [Volume 10, Number 40] Mokhtabad Amreyi, Seyyed Mostafa Temperament Knowledge as The Process of Creating and Studying Dramatic Characters ,Case study: The Beauty Queen of Leenane [Volume 10, Number 40] Kateb, Fatemeh Manifestation of Alchemy Symbols in Corresponding with Islamic Mysticism and Art [Volume 10, Number 40] Dastgheib, Najmeh Manifestation of Alchemy Symbols in Corresponding with Islamic Mysticism and Art [Volume 10, Number 40] Abroon, Nastaran Analysis of The Relationship Between Theoretical Aesthetic Ideas And Modern- Postmodern Architectural Styles; (A Comparative Study Of Modern And Postmodern Architecture)ِِِ [Volume 10, Number 40] Moeinadini, Mohammad Identifying the Position and the Role of Curator in the Formation Process of Contemporary Art Movements. [Volume 10, Number 40] Boghossian, Sevana Identifying the Position and the Role of Curator in the Formation Process of Contemporary Art Movements. [Volume 10, Number 40] Booshehri, Leila Sociological Analysis of Paintings of Royal Gatherings of Festivity in Tabriz II School according to Reflection Approach (Case Study: “Sadeh Festival” and “Feast of Breaking the Fast”) [Volume 10, Number 40] Mirmobin, Reza Sociological Analysis of Paintings of Royal Gatherings of Festivity in Tabriz II School according to Reflection Approach (Case Study: “Sadeh Festival” and “Feast of Breaking the Fast”) [Volume 10, Number 40] Houshiar, Mehran Sociological Analysis of Paintings of Royal Gatherings of Festivity in Tabriz II School according to Reflection Approach (Case Study: “Sadeh Festival” and “Feast of Breaking the Fast”) [Volume 10, Number 40] Khaksar, Ali An Analysis of Achievement of the Philosophical Sense of “Extension” in Music, with Interpretaion of Ibn-e Sina’s Explanation an Extension [Volume 10, Number 40] Abasi, Ali Investigation of Narrative Structures with Semiotic Approach: Night Exercise Screenplay [Volume 10, Number 39] Gozashti, Mohammad Ali Investigation of Narrative Structures with Semiotic Approach: Night Exercise Screenplay [Volume 10, Number 39] Shokrollahpour, Fariba Investigation of Narrative Structures with Semiotic Approach: Night Exercise Screenplay [Volume 10, Number 39] Mafitabar, Ameneh A Study of Two Salam-e Nowruzi Paintings of Fath-Ali Shah and Naser al-Din Shah in Qajar Era from the Perspective of Leveling and Sharpening Principles of Gestalt [Volume 10, Number 39] Bolkhari Ghahi, Hassan Research on the Class Origins of Modern Painting Audiences in Iran between 1940-1970 A.D. [Volume 10, Number 39] Adel, Maryam Research on the Class Origins of Modern Painting Audiences in Iran between 1940-1970 A.D. [Volume 10, Number 39] Rahbarnia, Zahra Investigating the “Fair Use” in Contemporary Art in the Cases of Jeff Koons and Richard Prince [Volume 10, Number 39] Khabiri, Forough Investigating the “Fair Use” in Contemporary Art in the Cases of Jeff Koons and Richard Prince [Volume 10, Number 39] Mousavilar, Ashraf sadat The Aesthetic of Reception in Interactive Installation Art, Read based on Wolfgang Iser’s Theory [Volume 10, Number 39] Fatemi, Farimah The Aesthetic of Reception in Interactive Installation Art, Read based on Wolfgang Iser’s Theory [Volume 10, Number 39] Akbari Naseri, Mahboobeh The Expression of the Divine Order Through the Art of Sculpture in the Greek Art Religion (According to Hegel’s Lectures on Fine Art and his Phenomenology of Spirit) [Volume 10, Number 38] Mostafavi, Shamsolmolook The Expression of the Divine Order Through the Art of Sculpture in the Greek Art Religion (According to Hegel’s Lectures on Fine Art and his Phenomenology of Spirit) [Volume 10, Number 38] Eslami, Shahla The Expression of the Divine Order Through the Art of Sculpture in the Greek Art Religion (According to Hegel’s Lectures on Fine Art and his Phenomenology of Spirit) [Volume 10, Number 38] Bolkhari, Hasan Relation between Pleasure and Beauty In Khaji Nasir’s View [Volume 10, Number 38] Dianati, Sahar A Comparative Study of Iranian Carpets in the Travelogues of Foreign Tourists of the Safavid and Qajar Periods with an Orientalist Approach [Volume 10, Number 38] Moradi, Alireza A Comparative Study of Iranian Carpets in the Travelogues of Foreign Tourists of the Safavid and Qajar Periods with an Orientalist Approach [Volume 10, Number 38] Dehghan Touran Poshti, Atefeh Origami: Japanese Architecture and its Aesthetic Adaptability with the Western Theorists’ Point of View [Volume 10, Number 38] Nematipour, Narges Origami: Japanese Architecture and its Aesthetic Adaptability with the Western Theorists’ Point of View [Volume 10, Number 38] Tabrizi, Farnaz The Study of Stage Description (Didascalia) in Tennessee Williams’ One Act Plays [Volume 10, Number 38] Sarsangi, Majid The Study of Stage Description (Didascalia) in Tennessee Williams’ One Act Plays [Volume 10, Number 38] NamvarMotlagh, Bahman Genetic Criticism and Analysis of Francis Bacon’s Painting, “Three Studies on Figures at the Base of a Crucifixion” [Volume 10, Number 38] Goudarzi, Mostafa Genetic Criticism and Analysis of Francis Bacon’s Painting, “Three Studies on Figures at the Base of a Crucifixion” [Volume 10, Number 38] Mahmoudzadeh, Hamideh Genetic Criticism and Analysis of Francis Bacon’s Painting, “Three Studies on Figures at the Base of a Crucifixion” [Volume 10, Number 38] Beidollahkhani, Arash The Rhetorical - Aesthetic Approach to Constructing the Relation between Images and Visual Inventions with Global Politics [Volume 9, Number 37] Mostafavi, Shamsolmolouk Art and Technique as two Different Territory for Dasein’s Being [Volume 9, Number 37] Rikhtegaran, MohammadReza Art and Technique as two Different Territory for Dasein’s Being [Volume 9, Number 37] Souzankar, Marjaneh Art and Technique as two Different Territory for Dasein’s Being [Volume 9, Number 37] Erfanmanesh, Sahel Analysis of Meaning in the Niche Rug of the Metropolitan Museum by iconoloical method [Volume 9, Number 37] Namvarmotlagh, Bahman Analysis of Meaning in the Niche Rug of the Metropolitan Museum by iconoloical method [Volume 9, Number 37] Azhand, Yaghoub Analysis of Meaning in the Niche Rug of the Metropolitan Museum by iconoloical method [Volume 9, Number 37] Mirzaei, Abdollah Methodology of Stylistic Study in Persian Carpet Design and Motifs [Volume 9, Number 37] Rahimi, Hanif The Representation of European Landscapes in Later Safavid Painting [Volume 9, Number 37] Aghaie, Abdollah The Representation of European Landscapes in Later Safavid Painting [Volume 9, Number 37] Sattarzadeh, Dariush Explaining the Role of Geometry and Imagination in Creation of Unique Architectures [Volume 9, Number 36] Balilan Asl, Lida Explaining the Role of Geometry and Imagination in Creation of Unique Architectures [Volume 9, Number 36] Habib, Farah Explaining the Role of Geometry and Imagination in Creation of Unique Architectures [Volume 9, Number 36] AmirAshayeri, Sware Explaining the Role of Geometry and Imagination in Creation of Unique Architectures [Volume 9, Number 36] Namvarmotlagh, Bahman Intertextual Collage Aesthetics [Volume 9, Number 36] Shayganfar, Nader Reflections on the Ontology of Mass Art as Avant-garde Art [Volume 9, Number 36] Mahdipour, Ali Reflections on the Ontology of Mass Art as Avant-garde Art [Volume 9, Number 36] Shakeri, Zahra “Appropriation Art” and Recognition of the Legal Status of the Author [Volume 9, Number 36] Hessami, Mansour “Appropriation Art” and Recognition of the Legal Status of the Author [Volume 9, Number 36] Shiva, Aysan “Appropriation Art” and Recognition of the Legal Status of the Author [Volume 9, Number 36] Zyney Aslani, Hafez Video Art, Liminality, Mysticism [Volume 9, Number 36] Yousefi, Fatemeh Phenomenology of Place in New Topographic Photography [Volume 9, Number 34] Afzal Tousi, EffatolSadat Phenomenology of Place in New Topographic Photography [Volume 9, Number 34] Asadollahi , Allahshokr An Investigation of the Relevancy between Turco-Mongol Mythologies and the Motif of Tree in the Demotte Shahnameh and Jami al-Tavarikh from a Cultural Semiotic Point of View [Volume 9, Number 35] Moahammadzadeh, Mehdi An Investigation of the Relevancy between Turco-Mongol Mythologies and the Motif of Tree in the Demotte Shahnameh and Jami al-Tavarikh from a Cultural Semiotic Point of View [Volume 9, Number 35] Hoseinpour Mizab, Mansour An Investigation of the Relevancy between Turco-Mongol Mythologies and the Motif of Tree in the Demotte Shahnameh and Jami al-Tavarikh from a Cultural Semiotic Point of View [Volume 9, Number 35] Pourmand, HassanAli Analyzing the Communicative Functions in Typography (the Posters of Asma’ol Hosna in Iran) Using Jakobson’s Approach [Volume 9, Number 35] Asgari, Fatemeh Analyzing the Communicative Functions in Typography (the Posters of Asma’ol Hosna in Iran) Using Jakobson’s Approach [Volume 9, Number 35] Farrokhfar , Farzaneh Re-reading the Narrative in Ibrahim Sultan’s Shahnama Based on Paul Ricoeur`s Philosophical Hermeneutics Theory [Volume 9, Number 35] nouhi, Noushin Re-reading the Narrative in Ibrahim Sultan’s Shahnama Based on Paul Ricoeur`s Philosophical Hermeneutics Theory [Volume 9, Number 35] Basiri , Mehrangiz Alberti’s System of Human Proportions: The Mean between the Natural and the Transcendent [Volume 9, Number 35] Jahangard , Aliakbar The Study of Prophet Muhammad Images in Mongolian Ilkhans’ Miniature Utilizing Iconographic Approach [Volume 9, Number 35] Rafiee, Maryam The Study of Prophet Muhammad Images in Mongolian Ilkhans’ Miniature Utilizing Iconographic Approach [Volume 9, Number 35] Zaimaran, Mohammad A Critical Approach to the Intertextual Reading of Contemporary Iranian Art [Volume 9, Number 34] Irani Behbahani, Homa A Critical Approach to the Intertextual Reading of Contemporary Iranian Art [Volume 9, Number 34] Shaliamini, Vahid A Critical Approach to the Intertextual Reading of Contemporary Iranian Art [Volume 9, Number 34] Alinejad, Sahar A Critical Approach to the Intertextual Reading of Contemporary Iranian Art [Volume 9, Number 34] Sefidary, Melika The Relationship between Stylish Characteristics of Wittgenstein’s Writing and his Philosophizing [Volume 9, Number 34] Heidari, Bardia Herder and Reappraising Sculpture as Tactile Art [Volume 9, Number 34] Saber, Zeinab Study of Iconographic Transformation of Pictorial Sample in Images of Merrkh- Bahram in Islamic Era [Volume 9, Number 34] Abdi, Nahid Study of Iconographic Transformation of Pictorial Sample in Images of Merrkh- Bahram in Islamic Era [Volume 9, Number 34] Amiri, Atefeh Study of Iconographic Transformation of Pictorial Sample in Images of Merrkh- Bahram in Islamic Era [Volume 9, Number 34] Taheri, Sadreddin Barbara Kruger’s Usage of Visual Rhetoric to Encoding the Semiotic Message [Volume 9, Number 34] Zabihi, Hossein Comparative Study of Architectural Phenomenology in Theories of Juhani Pallasmaa and Steven Holl [Volume 8, Number 33] Etessam, Iraj Comparative Study of Architectural Phenomenology in Theories of Juhani Pallasmaa and Steven Holl [Volume 8, Number 33] Tahoori, Nayer Comparative Study of Architectural Phenomenology in Theories of Juhani Pallasmaa and Steven Holl [Volume 8, Number 33] Sharifian, Mohammad Amin Comparative Study of Architectural Phenomenology in Theories of Juhani Pallasmaa and Steven Holl [Volume 8, Number 33] Maghuly, Nadia The Identification of Iconic Aspect of Rostam in Miniatures of Combat between Rostam and Sohrab [Volume 8, Number 33] Majlesi, Amin The Identification of Iconic Aspect of Rostam in Miniatures of Combat between Rostam and Sohrab [Volume 8, Number 33] Ghoroori, Saba The Introduction of “Aesthetics” in Baumgarten’s Meditationes and Its Background [Volume 8, Number 33] Radmehr, Pezhman 7 to 15 Centuries (AH) Iranian Muslim Scholars’ System of Thought in Viewing Iqa’ [Volume 8, Number 33] Kamrani, Behnam A Study of the Characteristics of the “Grotesque Body” in Four Contemporary Iranian Painters [Volume 8, Number 33] Emami, Mona A Study of the Characteristics of the “Grotesque Body” in Four Contemporary Iranian Painters [Volume 8, Number 33] Ahsant, Setareh Correspondence of Syntagmatic and Paradigmatic Axes Relations, and Their Transformation in Relation to the Communicative Role of Shahnameh Illustration in Shiraz School of Miniature [Volume 8, Number 33] Estakhrian Haghighi, Amir Reza Correspondence of Syntagmatic and Paradigmatic Axes Relations, and Their Transformation in Relation to the Communicative Role of Shahnameh Illustration in Shiraz School of Miniature [Volume 8, Number 33] Safian, Mohamad Javad Death-Thinking and its Relation to Heidegger’s Art-Thinking [Volume 8, Number 32] Elyasy, Behroz Death-Thinking and its Relation to Heidegger’s Art-Thinking [Volume 8, Number 32] Amiriandoost, Shahrokh Genealogy of Rhythmic Ritual Movements with Samaacheh [Volume 8, Number 32] Aghaei, Nasser Genealogy of Rhythmic Ritual Movements with Samaacheh [Volume 8, Number 32] Azhand, Yaghoub Genealogy of Rhythmic Ritual Movements with Samaacheh [Volume 8, Number 32] Pourmand, Hasanali Analyzing the Painting of “The Story of Yusof & Zoleikha” by Kamal al-Din Behzad According to Transtextuality Theory of Gerard [Volume 8, Number 32] Rajabi, Zeinab Analyzing the Painting of “The Story of Yusof & Zoleikha” by Kamal al-Din Behzad According to Transtextuality Theory of Gerard [Volume 8, Number 32] Ghazizadeh, Khashayar Retrieving Mystical Meanings in the Form and Structure of the Miniature of “Worldly and Otherworldly Drunkenness” [Volume 8, Number 32] Alibabaei, Golnar Retrieving Mystical Meanings in the Form and Structure of the Miniature of “Worldly and Otherworldly Drunkenness” [Volume 8, Number 32] Laleh, Abdolhosein Death Thought in Samuel Beckett’s Works [Volume 8, Number 32] Roshani Payan, Milad A Study of the Essence of the Cinematic Frame According to the Metaphors of the Window and Framework [Volume 8, Number 32] Bagheri, Fares A Study On the Relationship Between “Self ” and “other” At the Early Stage of Modernism in Iran, In the play “ Ja’far Khan az farang bargashteh” by “Hassan Mohaghdam [Volume 6, Number 22] Samadi, Hadi Monroe Beardsley’s Anti-Intentionalism in Analysis selected Photographs by Andreas Gursky [Volume 8, Number 31] Bakhtiarian, Maryam Monroe Beardsley’s Anti-Intentionalism in Analysis selected Photographs by Andreas Gursky [Volume 8, Number 31] Sajadian, Mahdieh sadat Monroe Beardsley’s Anti-Intentionalism in Analysis selected Photographs by Andreas Gursky [Volume 8, Number 31] Rahmani, Ashkan Explaining the Level of Human Thought in the Parallel Civilizations Based on Formal Structure and Visual Imagination Formed in Mythical Narratives [Volume 8, Number 31] Moghanipour, Majid reza Explaining the Level of Human Thought in the Parallel Civilizations Based on Formal Structure and Visual Imagination Formed in Mythical Narratives [Volume 8, Number 31] Heydary, Morteza Comparison of the “Filled” Space of Iranian Painting with the “Empty” Space of The Far East Painting [Volume 8, Number 31] Mohammadi, Samaneh Comparison of the “Filled” Space of Iranian Painting with the “Empty” Space of The Far East Painting [Volume 8, Number 31] Marasi, Mohsen The Analysis of The Concept of Time in Performance-Art based on Gilles Deleuze’s Ideas [Volume 8, Number 31] Nadalian, Ahmad The Analysis of The Concept of Time in Performance-Art based on Gilles Deleuze’s Ideas [Volume 8, Number 31] Pourkasmaei, Pouya The Analysis of The Concept of Time in Performance-Art based on Gilles Deleuze’s Ideas [Volume 8, Number 31] Ardalani, Hossein Phenomenology of Body and Place Drawing on Merleau-Ponty Case Study: One Hundred Years of Solitude by Gabriel Garcia Marquez [Volume 8, Number 31] Safian, Mohhamadjawad Phenomenology of Body and Place Drawing on Merleau-Ponty Case Study: One Hundred Years of Solitude by Gabriel Garcia Marquez [Volume 8, Number 31] Nozad, Homa Phenomenology of Body and Place Drawing on Merleau-Ponty Case Study: One Hundred Years of Solitude by Gabriel Garcia Marquez [Volume 8, Number 31] Daneshvar Kiyan, Amir Hosein Artistic Expression in the Making of Sa’di’s Sonnet [Volume 8, Number 31] Emami, Soheila Artistic Expression in the Making of Sa’di’s Sonnet [Volume 8, Number 31] Daneshvar Kiyan, Ali Artistic Expression in the Making of Sa’di’s Sonnet [Volume 8, Number 31] Rikhtegaran, MohammadReza The Meaning of “Artistic Creation” for Kant and Heidegger and its Comparison with Ricoeur’s Understanding of “Narration” [Volume 6, Number 24] Heidari, Majid The Meaning of “Artistic Creation” for Kant and Heidegger and its Comparison with Ricoeur’s Understanding of “Narration” [Volume 6, Number 24] Khodabandeloo, Shima Investigating the Aesthetic Value of Allameh Tabatabai [Volume 8, Number 30] Yadegari Srour, Vahid Investigating the Aesthetic Value of Allameh Tabatabai [Volume 8, Number 30] Sefidary, Melika Importance and Position of Form and Writing Style in Philosophizing [Volume 8, Number 30] Afarin, Farideh Joseph Kosuth’s thoughts and Works: Research in the Wittgensteinian Origin of his Conceptual and anti-Aesthetics Trend [Volume 8, Number 30] Farhangmehr, Narges Joseph Kosuth’s thoughts and Works: Research in the Wittgensteinian Origin of his Conceptual and anti-Aesthetics Trend [Volume 8, Number 30] Narimani Ghahnavieh, Golnar Mendelssohn’s Theory of The Sublime [Volume 8, Number 30] Shad Qazvini, Parisa The Aesthetics of the Machine in the 20th Century Art based on Don Ihde’s Ideas [Volume 8, Number 30] Aalee Koloogani, Shirin The Aesthetics of the Machine in the 20th Century Art based on Don Ihde’s Ideas [Volume 8, Number 30] Binayemotlagh, Said Handicrafts, Encountering Modern Technology [Volume 8, Number 30] Olia, Masoud Paul Ricoeur’s Reading Of Mimesis [Volume 6, Number 24] Khosravi, Mohammad Hossein Paul Ricoeur’s Reading Of Mimesis [Volume 6, Number 24] Afhami, Reza The Influence of Poincaré’s Thoughts on the Origins of Random and Chance in Works of Marcel Duchamp and John Cage [Volume 7, Number 29] Akhondi, Zahra The Influence of Poincaré’s Thoughts on the Origins of Random and Chance in Works of Marcel Duchamp and John Cage [Volume 7, Number 29] Hessami Kermani, Mansour Transtextual Study of Four Paintings of the Contemporary Artist, Aydin Aghdashloo [Volume 7, Number 29] Dadvar, Abolghasem Transtextual Study of Four Paintings of the Contemporary Artist, Aydin Aghdashloo [Volume 7, Number 29] Kateb, Fatemeh Transtextual Study of Four Paintings of the Contemporary Artist, Aydin Aghdashloo [Volume 7, Number 29] Yazdanpanah, Maryam Transtextual Study of Four Paintings of the Contemporary Artist, Aydin Aghdashloo [Volume 7, Number 29] Sarkar Farshi, Golnaz Genre Shift and Identity Maintenance – An Analysis of Iranian War Film Genres (1980-2013) with Niklas Luhmann’s Social Systems Theory [Volume 7, Number 29] Hakim Javadi, Parisa The Location of Memory A Bakhtinian Reading of Bahram Beyzaie’s The Crow [Volume 7, Number 29] Saeedzadeh, Bahareh Body (Non-) Presentation in Representing the Body:The Ideological Body in The Paintings of the School of Islamic Art and Thought (Hozeh Honari (1979-1992) [Volume 7, Number 29] Nasri, Amir Body (Non-) Presentation in Representing the Body:The Ideological Body in The Paintings of the School of Islamic Art and Thought (Hozeh Honari (1979-1992) [Volume 7, Number 29] Abolghassemi, Mohamadreza Painting and Society The Formation of the Persian Painting in the 14th Century [Volume 7, Number 29] Ghaffari, Mitra Contemplation on the Position of Painting in Avicennian Philosophy [Volume 7, Number 28] Rabiei, Hadi Contemplation on the Position of Painting in Avicennian Philosophy [Volume 7, Number 28] Shad Ghazvini, Parisa The Genre of Landscape and Building-Painting (The Artistic) and the Discourse of Nationalism (The Political), during the Late Qajar and Early Pahlavi Periods an Analysis Based on “Mediation” and “Totality” in Methodology of Georg Lukács [Volume 7, Number 28] Esmaeilzadeh, Kheyzaran The Genre of Landscape and Building-Painting (The Artistic) and the Discourse of Nationalism (The Political), during the Late Qajar and Early Pahlavi Periods an Analysis Based on “Mediation” and “Totality” in Methodology of Georg Lukács [Volume 7, Number 28] Tondi, Ahmad An iconology approach to interpreting Laily and Majnoun in Ghiaseddin textiles [Volume 6, Number 22] Fazl-Vaziri, Shohreh An iconology approach to interpreting Laily and Majnoun in Ghiaseddin textiles [Volume 6, Number 22] Dolati, Mohsen Architecture Narration: A Comparative Study on Narration in Architecture and Story [Volume 7, Number 28] Foroutan, Manouchehr Architecture Narration: A Comparative Study on Narration in Architecture and Story [Volume 7, Number 28] Etesam, Iraj Architecture Narration: A Comparative Study on Narration in Architecture and Story [Volume 7, Number 28] Karimzadeh, Sepideh Architecture Narration: A Comparative Study on Narration in Architecture and Story [Volume 7, Number 28] Roshani Payan, Milad The Subjective and Corporeal Perception of the Cinematographic Frame According to Kantian Viewpoint [Volume 7, Number 28] Karami, Mohsen Immoralism in Ethical Criticism of Art Expressing and Criticizing Kieran`s Views [Volume 7, Number 28] Abdollahi, Sepideh Immoralism in Ethical Criticism of Art Expressing and Criticizing Kieran`s Views [Volume 7, Number 28] Mahboobi Arani , Hamidreza The Aesthetics of Lyric Poetry in Nietzsche’s The Birth of Tragedy [Volume 7, Number 28] Jahangard, Ali A critical Reading of the Imaginal World in Persian Traditional Painting and its Relation to the Hidden Orientalist Theory [Volume 7, Number 27] Samadi, Hadi Critique of Stephen Davies’ Views on the Relation between Art, Aesthetics, and Evolution based on Artful Species [Volume 7, Number 27] Vakili Baladezaei, Ali Critique of Stephen Davies’ Views on the Relation between Art, Aesthetics, and Evolution based on Artful Species [Volume 7, Number 27] Mahmoodi, Abolfazl The Relation between Aesthetics and Traditional Arts in Hinduism [Volume 7, Number 27] Rikhtegaran, Mohammadreza The Relation between Aesthetics and Traditional Arts in Hinduism [Volume 7, Number 27] Bolkhari Ghahi, Hasan The Relation between Aesthetics and Traditional Arts in Hinduism [Volume 7, Number 27] Ramezanmahi, Somayeh The Relation between Aesthetics and Traditional Arts in Hinduism [Volume 7, Number 27] Afhami, Reza Reading of Process of Perception in Shabihkhani Through Merleau-Ponty’s Phenomenological Theory [Volume 7, Number 27] Pourmand, HasanAli Reading of Process of Perception in Shabihkhani Through Merleau-Ponty’s Phenomenological Theory [Volume 7, Number 27] Pazoki, Shahab Reading of Process of Perception in Shabihkhani Through Merleau-Ponty’s Phenomenological Theory [Volume 7, Number 27] Hesami, Mansour Interaction between Objectivism and Subjectivism in Reading the Image from Visual Perception Perspective (Case Study: Two Pieces of Qajar Textiles) [Volume 7, Number 27] Kateb, Fatemeh Interaction between Objectivism and Subjectivism in Reading the Image from Visual Perception Perspective (Case Study: Two Pieces of Qajar Textiles) [Volume 7, Number 27] Mafi Tabar, Ameneh Interaction between Objectivism and Subjectivism in Reading the Image from Visual Perception Perspective (Case Study: Two Pieces of Qajar Textiles) [Volume 7, Number 27] Edalatjoo, Said Evaluation of Artworks in Analytic Philosophy of Art [Volume 7, Number 27] Shams, Mehdi Evaluation of Artworks in Analytic Philosophy of Art [Volume 7, Number 27] Hesami, Mansour Women Painters and Representation of Sexuality in the Art of Modern Iran [Volume 6, Number 25] Zehtab, Fatemeh Women Painters and Representation of Sexuality in the Art of Modern Iran [Volume 6, Number 25] Tahoori, Nayer Learning from Heidegger: Phenomenology in Architecture The Impact of Heidegger’s Philosophy on Architectural Theory – The Identity of Place in Theories of C. Norberg-Schulz and C. Alexander [Volume 6, Number 25] Zafarmand, Seyed Javad Comparison of the Concept of Sacred Art between Frithjof Schuon and Mircea Eliade [Volume 6, Number 25] Haghbin, Roshanak Comparison of the Concept of Sacred Art between Frithjof Schuon and Mircea Eliade [Volume 6, Number 25] Shad Qazvini, Parisa Reading of Dadaism and Surrealism Drawing in light of Heidegger’s Critique of Technology [Volume 6, Number 25] Aalee Koloogani, Marzieh Reading of Dadaism and Surrealism Drawing in light of Heidegger’s Critique of Technology [Volume 6, Number 25] Javid Sabaghian, Meghdad Contextual Analysis of Neo-traditionalism in Iranian Contemporary Art (1960s), from Foucauldian Discourse Analysis Perspective [Volume 6, Number 25] Refahi, Hoda Contextual Analysis of Neo-traditionalism in Iranian Contemporary Art (1960s), from Foucauldian Discourse Analysis Perspective [Volume 6, Number 25] Mousapour, Mohammad Yasser Analysis of the Ontology and Epistemology Bases of the Grounded Theory [Volume 6, Number 25] Alimohammadi, Javad Dialogism in Contemporary Art Criticism [Volume 7, Number 26] Rostami, Afsaneh Dialogism in Contemporary Art Criticism [Volume 7, Number 26] Sheibani Rezvani, Firoozeh Undecidability Boundaries (Parergon) in Painting: Reading Examples of Contemporary Iranian Visual Art [Volume 7, Number 26] Fayyazikia, Mohamad Mahdi The Analysis of Relation between “telling” and “other” in Abbas Kiarostami Cinema from the Perspective of Emmanuel Levinas’ Ideas [Volume 7, Number 26] Rouhani, Seyyed Ali The Analysis of Relation between “telling” and “other” in Abbas Kiarostami Cinema from the Perspective of Emmanuel Levinas’ Ideas [Volume 7, Number 26] Narimani, Golnar An Analysis of Kant’s pre-Critical Approach towards the Sublime and the Beautiful [Volume 7, Number 26] Olia, Masoud An Analysis of Kant’s pre-Critical Approach towards the Sublime and the Beautiful [Volume 7, Number 26] Akhavan Aghdam, Neda Sasanian Art: Iconography or Iconoclasm? [Volume 7, Number 26] Peyvandi, Parham A Study of Time and Place in the Images of BĀYSONGORI ŠAHNAMA Using the Phenomenological Approach [Volume 7, Number 26] Arabzadeh, Jamal A Study of Time and Place in the Images of BĀYSONGORI ŠAHNAMA Using the Phenomenological Approach [Volume 7, Number 26] Salkhi khasraghi, Safa Perfection Movement of the Soul of Man in Mosque Space on the Basis of Mulla Sadra’s Views Case Study: Tabriz Blue Mosque [Volume 6, Number 22] Shajari, Morteza Perfection Movement of the Soul of Man in Mosque Space on the Basis of Mulla Sadra’s Views Case Study: Tabriz Blue Mosque [Volume 6, Number 22] Asefi, Maziar Perfection Movement of the Soul of Man in Mosque Space on the Basis of Mulla Sadra’s Views Case Study: Tabriz Blue Mosque [Volume 6, Number 22] Fereshte Hekmat, Farshad The Influence of Some Eastern Philisophical Concepts on Western Art Cinema: The Case Study of “The Fountain” by Darren Aronofsky [Volume 5, Number 19] Mousavilar, Ashrafalsadat Exhibition Discourse in Contemporary Art of Iran (By Analyzing the Exhibition Cycle “Of Labour, Of Dirt”, Tehran) [Volume 5, Number 19] Puriya Mehr, Elham Exhibition Discourse in Contemporary Art of Iran (By Analyzing the Exhibition Cycle “Of Labour, Of Dirt”, Tehran) [Volume 5, Number 19] Afzal Tusi, Effatsadat Propaganda in Saqqakhaneh School of Art based on Pierre Bourdieu’s Sociological Theory [Volume 5, Number 19] Bahmanipor, Azadeh Propaganda in Saqqakhaneh School of Art based on Pierre Bourdieu’s Sociological Theory [Volume 5, Number 19] Afarin, Farideh Contemporary Beauty: A Turn from Objective and Subjective Point of View to the Event [Volume 5, Number 19] Khabbazi Kenari, Mehdi Merleau-Ponty’s Philosophical Concepts: The Basis for the Analysis of Interactive Art in Performance of “ Field “ [Volume 5, Number 19] Rahbarnia, Zahra Merleau-Ponty’s Philosophical Concepts: The Basis for the Analysis of Interactive Art in Performance of “ Field “ [Volume 5, Number 19] Sebti, Safa Merleau-Ponty’s Philosophical Concepts: The Basis for the Analysis of Interactive Art in Performance of “ Field “ [Volume 5, Number 19] Kord Noqani, Mehdi Hegel’s Real Giants or Gombrich’s Imaginary Giants? [Volume 5, Number 19] Olia, Masoud An Essay on Defending the Possibility of Ethical Criticism of Art [Volume 5, Number 19] Hosseini, Malek An Essay on Defending the Possibility of Ethical Criticism of Art [Volume 5, Number 19] Karami, Mohsen An Essay on Defending the Possibility of Ethical Criticism of Art [Volume 5, Number 19] Bazargani, Ibrahim The Esssence and Quality of Poetry in Farabi’s his two Poetic Treatises: Kituboshe’r and Fi Qawanin Sena’ato Sho’ara [Volume 5, Number 20] Ebrahimi, Ahmad Reza An Analysis on the Aspect of Art in Fotowatnamehs from the Perspective of Traditionalism [Volume 5, Number 20] Ghorbani, Abolfazl Why the Beauty Exists? With the Emphasis on the baise of Sadraian ontology [Volume 5, Number 20] Ghorbani, Abbas Why the Beauty Exists? With the Emphasis on the baise of Sadraian ontology [Volume 5, Number 20] Sharifzadeh, Mohammadreza Studying “Kitsch Aesthetics and its Effects on the Sense of Place Attachment: the Case Study Dariush Grand Hotel in Iran [Volume 5, Number 20] Khodadadi, Ali Studying “Kitsch Aesthetics and its Effects on the Sense of Place Attachment: the Case Study Dariush Grand Hotel in Iran [Volume 5, Number 20] Haririan, Narges The Meaning of Abjection in the Work of Julia Kristeva and its Reflection in Contemporary Figurative Art [Volume 5, Number 20] Eslammaslak, Rima The Meaning of Abjection in the Work of Julia Kristeva and its Reflection in Contemporary Figurative Art [Volume 5, Number 20] Pazouki, Shahab Phenomenology of Performer’s Presence in Shabihkhani [Volume 5, Number 20] Fahimifar, Ali Asghar Phenomenology of Performer’s Presence in Shabihkhani [Volume 5, Number 20] Javani, Asghar Augmented Reality and its Relation with Real Word [Volume 5, Number 20] Safian,, Mohammad Javad Augmented Reality and its Relation with Real Word [Volume 5, Number 20] Shirvani, Mohammad Reza Augmented Reality and its Relation with Real Word [Volume 5, Number 20] Rafizadeh Akhavian, Reihaneh Augmented Reality and its Relation with Real Word [Volume 5, Number 20] Pazouki, Shahram The Question of Art in Islamic Thought [Volume 5, Number 20] Mousavi lar, Ashraf Embodiment (Visualization) of Deconstruction: an analysis of deconstructive approaches in Surrealist Images of 20th Century [Volume 6, Number 22] Pourmand, Fateme Embodiment (Visualization) of Deconstruction: an analysis of deconstructive approaches in Surrealist Images of 20th Century [Volume 6, Number 22] Afarin, Farideh Henri Maldiney: on Aesthetics & Rhythm [Volume 6, Number 22] Sebti, Safa Is the Handicraft Art? Search for finding the state of Handicraft among the arts, according Kant’s aesthetics [Volume 6, Number 22] Khabbazi Kenari, Mehdi Is the Handicraft Art? Search for finding the state of Handicraft among the arts, according Kant’s aesthetics [Volume 6, Number 22] Roshani Payan, Milad Studying the Effects of Tragedy in Moral and Cognitive Judgments According to David Hume [Volume 6, Number 24] Afhami, Reza John Cage and Catharsis in the Light of an Artistic Experience [Volume 6, Number 24] Akhoundi, Zahra John Cage and Catharsis in the Light of an Artistic Experience [Volume 6, Number 24] Rajabi, Ehsan A Study on the Evolution of Aesthetic Ideas in Four Treatises of Islamic Practical Wisdom [Volume 6, Number 24] Tahery, Sadreddin The Comodified Aspect of Autonomy of Art Work in Adorno’s Aesthetic [Volume 6, Number 24] Piravivanak, Marzieh The Comodified Aspect of Autonomy of Art Work in Adorno’s Aesthetic [Volume 6, Number 24] Qadernezhad, Mehdi The Comodified Aspect of Autonomy of Art Work in Adorno’s Aesthetic [Volume 6, Number 24] Golestani, Mojtaba Reading Michel Foucault’s Theory on Death and Function of Author and its Relation to Plagiarism [Volume 6, Number 23] Keshmiri, Maryam A Postmodernist Reading of Art Works Based on Fredric Jameson’s Ideas: Focusing on Parviz Tanavoli’s Hich Collection (1960s-2000s) [Volume 6, Number 23] Rahbarnia, Zahra A Postmodernist Reading of Art Works Based on Fredric Jameson’s Ideas: Focusing on Parviz Tanavoli’s Hich Collection (1960s-2000s) [Volume 6, Number 23] Jahangard, Ali Akbar Supremacy of the Subject in the Renaissance Perspective System and the Reaction of Cubism Painting to it [Volume 6, Number 23] Mahmoodi Bakhtiari, Behrooz A Review of the Concept of the Subject and Self-destruction: A Case Study of “A Clockwork Orange” and “Apocalypse Now” [Volume 6, Number 23] Sami, Sepideh A Review of the Concept of the Subject and Self-destruction: A Case Study of “A Clockwork Orange” and “Apocalypse Now” [Volume 6, Number 23] Salehi Farsani, Ali Lyotard’s Aesthetic Confrontation with Political Modernity [Volume 6, Number 23] Fathy, Abdollah A Conceptual Analysis of Beauty According to Its Ontological Truth: Based on Mulla Sadra’s Views [Volume 6, Number 23] Fanaei Eshkevari, Mohammad A Conceptual Analysis of Beauty According to Its Ontological Truth: Based on Mulla Sadra’s Views [Volume 6, Number 23] Amini, Mahdi A Conceptual Analysis of Beauty According to Its Ontological Truth: Based on Mulla Sadra’s Views [Volume 6, Number 23] Nobakht, Abbas Eastern Interpretation of Mir Heidar Mirajnameh [Volume 5, Number 21] Mortazavi, Marjan Eastern Interpretation of Mir Heidar Mirajnameh [Volume 5, Number 21] Kharazian, Naghme Eastern Interpretation of Mir Heidar Mirajnameh [Volume 5, Number 21] Maziar, Amir A Study of Gadamer’s Conception of Art as Representation [Volume 5, Number 21] Eghtedari, Sepideh A Study of Gadamer’s Conception of Art as Representation [Volume 5, Number 21] Vakili, Neda Monomyth reading of Alexander images [Volume 5, Number 21] Hesami, Mansour Correspondence of Visual Representation and Order in Decorative Art From Ernest Gombrich’s Point of View: A Case Study on Muharramat Textile Design [Volume 5, Number 21] Kateb, Fatemeh Correspondence of Visual Representation and Order in Decorative Art From Ernest Gombrich’s Point of View: A Case Study on Muharramat Textile Design [Volume 5, Number 21] Mafi Tabar, Ameneh Correspondence of Visual Representation and Order in Decorative Art From Ernest Gombrich’s Point of View: A Case Study on Muharramat Textile Design [Volume 5, Number 21] Attarabbasi, Mostafa Realization of the Symbiosis of Interior and Exterior in the Architecture of Mosques in Iran (with an Emphasis on Fuzzy Method) [Volume 5, Number 21] Mokhtabad, Mostafa Realization of the Symbiosis of Interior and Exterior in the Architecture of Mosques in Iran (with an Emphasis on Fuzzy Method) [Volume 5, Number 21] Mahboobi, Ghorban Realization of the Symbiosis of Interior and Exterior in the Architecture of Mosques in Iran (with an Emphasis on Fuzzy Method) [Volume 5, Number 21] Piravi Vanak, Marziyeh The Metaphysical Foundation of Appearance of Linear Perspective Technique in Renaissance Painting [Volume 5, Number 21] Aghaie, Abdollah The Metaphysical Foundation of Appearance of Linear Perspective Technique in Renaissance Painting [Volume 5, Number 21] Esmaeilzadeh Barzi, Alireza Badiou’s Incompatible Ideas about Artistic Truth [Volume 5, Number 21] Olia, Masoud Nature in the Frame of Art An Inquiry into the Art-centered Model of Aesthetic Appreciation of Nature [Volume 5, Number 21] Afrasiabi, Hosein Difference-Based Aesthetics, Mimesis and Relief from Determined Existence in Adorno’s Thought [Volume 5, Number 18] Mombeini, Sajjad Difference-Based Aesthetics, Mimesis and Relief from Determined Existence in Adorno’s Thought [Volume 5, Number 18] Mehdizadeh, Alireza Reviewing the Various Functions of the Social Documentary Photographs Based on the Linguistic Functions (Jacobson’s Communicative Theory) [Volume 5, Number 18] Dadvar, Abolghasem Comparative Study of Conceptual Metaphor Theory in Illustration and Poem [Volume 5, Number 18] Hoseini, Maryam Comparative Study of Conceptual Metaphor Theory in Illustration and Poem [Volume 5, Number 18] Parishanzadeh, Sarvenaz Comparative Study of Conceptual Metaphor Theory in Illustration and Poem [Volume 5, Number 18] Amini, Mahdi Philosophical Backgrounds of Symbol and Allegory in Mulla Sadra’s Thought [Volume 5, Number 18] Moeini, Seyed Hossein (Iradj) The ‘Tower-Gate’: A New Type or an Empty Sign [Volume 5, Number 18] Esmaeilzadeh, Kheyzaran The Possibility of “Democratic” Intervention in Interactive Approaches of Contemporary Art and its Manifestation in Artistic Activism [Volume 5, Number 18] Zamani, S. Masud Reflective Thinking from Heidegger’s Standpiont and Poetic Thinking in Paul Klee’s Images [Volume 5, Number 18] Saffari Ahmadabad, Somayeh Reflective Thinking from Heidegger’s Standpiont and Poetic Thinking in Paul Klee’s Images [Volume 5, Number 18] Emadi, Azadeh 16th century Persian tiles in dialogue with 21st century digital tiles in the Sadrian universe [Volume 4, Number 17] Araeen, Rasheed The Place of Philosophy of Islam in the History of Knowledge and its Role Today in the Modern World Falsafa-e-Islam [Volume 4, Number 17] Hosseini, Abbas Iconography of the three Icons in Shi’i Muharram Rituals; The Peacock, the Cypress & the Lion [Volume 4, Number 17] Adib-Moghaddam, Arshin Philosophy, Art and Critique: A (short) conversation with the “other” [Volume 4, Number 17] Afhami, Reza How does Doodling Effects on Students Learning as an Artistic Method? [Volume 4, Number 17] Tadayon, Maryam How does Doodling Effects on Students Learning as an Artistic Method? [Volume 4, Number 17] Yazdi, Narges Exploring “Absent Presence” and “offstage Space” in Sam Shepard’s True West [Volume 4, Number 17] S. Saleh, Monir THE TRAGIC DEATH OF EDOUARD MANET The French Pioneer Impressionist Painter in the 19th Century: A Psychoanalytical glance to the Psycho-physical Disturbances, Personality Characteristic, the Personal Life & the Arts [Volume 4, Number 17] Abolghassemi, Mohammadreza Critical Remarks on “Mystical Aesthetics” The Case of Persian Painting [Volume 4, Number 17] Nasri, Amir Christian Iconography and Biblical Interpretation [Volume 4, Number 17] Gonzalez, Valerie “Contesting the Conceptual Categories ‘Islamic Civilization, Art or Masterpiece: A Reflection on the Problem” [Volume 4, Number 17] Soltankashefi, Jalal A Glance on the Work of Zdzislaw Beksinski (With an Emphasis on Surrealism and Fantastic Realism): In the World of Dystopia [Volume 4, Number 16] Porrezaiyan, Mehdi Explanation of Ideal Realism in Qajar Royal Painting and its Proportion with Persian Traditional Painting [Volume 4, Number 16] Shirazi, Aliasghar Explanation of Ideal Realism in Qajar Royal Painting and its Proportion with Persian Traditional Painting [Volume 4, Number 16] Jahangard, Aliakbar Explanation of Ideal Realism in Qajar Royal Painting and its Proportion with Persian Traditional Painting [Volume 4, Number 16] Amin Khandagi, Javad A Study on Moderate Moralists Perspective on the Relationship between Art and Morality [Volume 4, Number 16] Keshavarz, Golnaz The Ideal Essence of the Persian Painting and the Role of Tradition in it [Volume 4, Number 16] Mosayebi, Mansore Artifactuality in the Institutional Theory of Art [Volume 4, Number 16] Mehrmohammadi, Mahmud Work of Art as a Symbol: An Explanation of Susanne Langer’s Theory of Symbolization [Volume 4, Number 16] Sadati, Naser Work of Art as a Symbol: An Explanation of Susanne Langer’s Theory of Symbolization [Volume 4, Number 16] Olia, Masoud The Relation between Subjectivity and Intersubjectivity in Kant’s Theory of Taste [Volume 4, Number 16] Fazeli, Mona The Relation between Subjectivity and Intersubjectivity in Kant’s Theory of Taste [Volume 4, Number 16] Kashefi, Muhammad Sadegh Aesthetic Transition from Beautiful to the Abyss of Aesthetic Concepts: Introducing and Analyzing Aesthetic Concepts of Frank Sibley [Volume 2, Number 7] Sojoodi, Farzan Rereading the Issue of Author through the Cyberspace [Volume 4, Number 15] MohammadVali, Ali Rereading the Issue of Author through the Cyberspace [Volume 4, Number 15] Makinejad, Mahdi Symbolic Meanings of Persian Paisley (Bote Jeghe ) [Volume 4, Number 15] Vahdati, Mahnosh Symbolic Meanings of Persian Paisley (Bote Jeghe ) [Volume 4, Number 15] Zoyavar, Hamed Symbolic Meanings of Persian Paisley (Bote Jeghe ) [Volume 4, Number 15] Mahmoudi, Mansoureh (Noshid) The Reflection of Gabriel Marcel’s Thought in His Plays [Volume 4, Number 14] Rikhtegaran, Mohammadreza The Reflection of Gabriel Marcel’s Thought in His Plays [Volume 4, Number 14] Khanlari, Reza The Impact of German Expressionism on the Acting Style of Eisenstein’s Cinema [Volume 3, Number 12] Aghaei, Naser The Impact of German Expressionism on the Acting Style of Eisenstein’s Cinema [Volume 3, Number 12] Alasti, Ahmad The Impact of German Expressionism on the Acting Style of Eisenstein’s Cinema [Volume 3, Number 12] Aram, Ali Reza Aesthetic Dimension and Golden Rule: Interaction between Art and Ethic in Herbert Marcuse’s Thoughts [Volume 3, Number 12] Fayyaz, Hadi Considering the Relation of Lyotard’s Postmodern Sublime with the Concept of Event in Heidegger’s Philosophy [Volume 4, Number 15] Heidari, Ahmad Ali Considering the Relation of Lyotard’s Postmodern Sublime with the Concept of Event in Heidegger’s Philosophy [Volume 4, Number 15] Amini, Mahdi Perception of Beauty in Viewpoint of Mullā Sadrā and its Explanation as Secondary Philosophical- Intelligible [Volume 4, Number 15] Zafari, Sepideh Hirsch`s Hermeneutical Approach in the Analysis of Painting (The case of Joseph and Zlykha Painting of Behzad) [Volume 4, Number 15] Rahmani, Jabbar Hirsch`s Hermeneutical Approach in the Analysis of Painting (The case of Joseph and Zlykha Painting of Behzad) [Volume 4, Number 15] Mafitabar, Amene The Phenomenological Hermeneutics Bases on Ernesto Neto’s Iinteractive Installation: “While Nothing Happens” [Volume 4, Number 15] Rahbarnia, Zahra The Phenomenological Hermeneutics Bases on Ernesto Neto’s Iinteractive Installation: “While Nothing Happens” [Volume 4, Number 15] Hosseini, Mehdi Visuality and Visual Crisis: A Critical Reading of Everyday Life [Volume 4, Number 15] Kahvand, Maryam Visuality and Visual Crisis: A Critical Reading of Everyday Life [Volume 4, Number 15] Marasi, Mohsen Aesthetic aspects of visual representation in the annotation of the Quran Manuscripts [Volume 3, Number 13] Shafighi, Neda Aesthetic aspects of visual representation in the annotation of the Quran Manuscripts [Volume 3, Number 13] Latifpour, Saba Philosophical Aspects of Manichean and its Influence on Manichean Art [Volume 4, Number 14] Bahrami, Mehdi The relationship between Beauty and Metaphysics in Farabi [Volume 4, Number 14] Shahverdi, Amin On the Relation between Art and Ethics in “Minu ye xrad” Essay and its Comparison with Plato’s view [Volume 4, Number 14] Mobini, Mahtab On the Relation between Art and Ethics in “Minu ye xrad” Essay and its Comparison with Plato’s view [Volume 4, Number 14] Musavi Rokni, Seyyed Mohammad Hadi Critique of Frank Sibley’s Aesthetic Objectivity [Volume 4, Number 14] Eftekhari Yekta, Sharareh Study of Bruegel’s Painting Based on Bakhtin’s thoughts [Volume 4, Number 14] Mousavi Aghdam, Kambiz Study of Bruegel’s Painting Based on Bakhtin’s thoughts [Volume 4, Number 14] Arabzadeh, Jamal Study of Bruegel’s Painting Based on Bakhtin’s thoughts [Volume 4, Number 14] Salmani, Ali A Comparison between Purposiveness in Introduction and Third Moment and its Results [Volume 4, Number 14] Hajrashidian, Saeed A Comparison between Purposiveness in Introduction and Third Moment and its Results [Volume 4, Number 14] Hajinaseri, Saeed To Find the Possibility of Aesthetic ‘Autonomy’ in the Case of Logic ‘Instrumentality’ Dominancy (in Weber, Lyotard and Foucault`s Critical Assessment of Modern Culture) [Volume 3, Number 13] Salehi Farsani, Ali To Find the Possibility of Aesthetic ‘Autonomy’ in the Case of Logic ‘Instrumentality’ Dominancy (in Weber, Lyotard and Foucault`s Critical Assessment of Modern Culture) [Volume 3, Number 13] Sharif Zadeh, Mohammad Reza The Aesthetic &Visual Minimalist Influnces on the Contemporary Theatrical Staye Designs [Volume 3, Number 13] Noori, Sara The Aesthetic &Visual Minimalist Influnces on the Contemporary Theatrical Staye Designs [Volume 3, Number 13] Sayyad, Alireza Intertwining Geography of Dismembered Bodies and Fragmented Spaces in cinematic City [Volume 3, Number 13] Mazaherian, Hamed Intertwining Geography of Dismembered Bodies and Fragmented Spaces in cinematic City [Volume 3, Number 13] Piravi Vanak, Marzieh Intertwining Geography of Dismembered Bodies and Fragmented Spaces in cinematic City [Volume 3, Number 13] Ghahramani, Mohammad Bagher Intertwining Geography of Dismembered Bodies and Fragmented Spaces in cinematic City [Volume 3, Number 13] Meshkat, Mohammad Objectivity in the Criticism of Art Works: Based on Noel Carroll s Views [Volume 3, Number 13] Shams, Mehdi Objectivity in the Criticism of Art Works: Based on Noel Carroll s Views [Volume 3, Number 13] Olia, Masoud The Relation of Text and the Other in Bakhtin's Thought [Volume 3, Number 13] Azimi, Hossein The Relation of Text and the Other in Bakhtin's Thought [Volume 3, Number 13] Navab, S. Mohammad Hoseein The Relation between Art and Moral Education in Iris Murdoch’s Perspective [Volume 3, Number 13] Shirazi, Ali Asqar History of Stylistic Studies in the Historiography of Art in the West [Volume 3, Number 12] Sahragard, Mahdi History of Stylistic Studies in the Historiography of Art in the West [Volume 3, Number 12] Fakharizadeh, Nasim A Brief on the Interrelations of Illustrations in Gilgamesh Emphasizing Monomyth-Transtextual Studies [Volume 3, Number 12] NamvarMotlagh, Bahman A Brief on the Interrelations of Illustrations in Gilgamesh Emphasizing Monomyth-Transtextual Studies [Volume 3, Number 12] Shayestehfar, Mahnaz Oppositional Binary of “the self” and “the other” in Two Illustrated Versions of Shahnameh, Shahnameh of Shah Tahmasb and Shahname of shah Ismaeel II: An Analysis of the Cultural Semiotic Model [Volume 3, Number 12] Haghayegh, Azin Oppositional Binary of “the self” and “the other” in Two Illustrated Versions of Shahnameh, Shahnameh of Shah Tahmasb and Shahname of shah Ismaeel II: An Analysis of the Cultural Semiotic Model [Volume 3, Number 12] Akhavan Aghdam, Neda Iconographic Interpretation of Hunting Scenes in Sasanian Metalwork [Volume 3, Number 12] Dashtara, Saber The Concept of Art’s Autonomy in Benjamin and Adorno [Volume 3, Number 12] Keshmirshekan, Hamid Standardisation and the Question of Identity: On The Dominant Discourses on Contemporary Iranian Art [Volume 3, Number 11] Saeedzadeh, Bahareh Cognitive Character Engagement and the Extended Mind in Bahram Tavakkoli’s Wandering in the Fog [Volume 3, Number 11] Moeini, Seyed Hossein (Iradj) The Moment of Environmental Ethics the Moment of Drift? [Volume 3, Number 11] Islami, S. Yahya EPISTEMOLOGICAL CONSIDERATIONS IN THE CONCEPT OF “EAST” AND “WEST” (WITH REFERENCE TO PRINCIPLES THAT FORM CULTURE) [Volume 3, Number 11] Haghir, Saeed EPISTEMOLOGICAL CONSIDERATIONS IN THE CONCEPT OF “EAST” AND “WEST” (WITH REFERENCE TO PRINCIPLES THAT FORM CULTURE) [Volume 3, Number 11] Abdollahzadeh, Mohammad Mahdi Architecture, Land, and Man Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture [Volume 3, Number 11] Qayyoomi Bidhendi, Mehrdad Architecture, Land, and Man Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture [Volume 3, Number 11] Haj Seyed Javadi, Seyed Kamal Epiphany of Scribing the Holy Quran from the Dawn of Islam Leading to the Manifestation of Calligraphy and Decoration in Islamic Sacred Art [Volume 3, Number 11] Pouya, Rofouei Topographic - based Model of the Creative Art through Revolutionary Culture in Iran [Volume 3, Number 11] Islami, Seyed Gholamreza Topographic - based Model of the Creative Art through Revolutionary Culture in Iran [Volume 3, Number 11] Manavi, Mahsa The Philosophy and Functions of Verbal Violence in Harold Pinter’s Mountain Language: A CDA Approach [Volume 3, Number 11] Bakhtiari-Mahmoodi, Behrooz The Philosophy and Functions of Verbal Violence in Harold Pinter’s Mountain Language: A CDA Approach [Volume 3, Number 11] Talai, Dariush The musical language Elements of Persian musical language: modes, rhythm and syntax [Volume 3, Number 11] Mostafavi, Shams -ol- molouk The Relation Between Music and Education in Plato’s Philosophical System [Volume 3, Number 10] Makinejad, Mahdi Centralism, Symmetry, and Repetition in Persian Traditional Arts [Volume 3, Number 10] Nasri, Amir Trinity of body, medium and image in Hans belting’s view [Volume 3, Number 10] AminKhandagi, Javad Correspondence of Aesthetic Judgment in Farabi through Kant’s Ideal of Beauty [Volume 3, Number 10] Oskoueian, Abbas Perception of Beauty in Rumi’s View An Epistemological Approach [Volume 3, Number 10] Panahi, Esmael Perception of Beauty in Rumi’s View An Epistemological Approach [Volume 3, Number 10] Zavieh, Sa’id Philosophy of History and Art Historiography from the Traditional and Modern Perspectives [Volume 3, Number 10] Rostambeigi, Samaneh(samin) Philosophy of History and Art Historiography from the Traditional and Modern Perspectives [Volume 3, Number 10] Hoseini, Mehdi Cross-Cultural Approaches in Art Criticism [Volume 3, Number 10] Darabi, Helia Cross-Cultural Approaches in Art Criticism [Volume 3, Number 10] Bolkhari Qohi, Hasan Tragedy in Plato’s “The Republic” [Volume 2, Number 9] Baniardalan, Ismaeil Tragedy in Plato’s “The Republic” [Volume 2, Number 9] Shapouri, Sa’id Tragedy in Plato’s “The Republic” [Volume 2, Number 9] Sadeghipour, Muhammad Sadegh Manifestation of Phenomena of Fear and Angst/Anxiety in Film World [Volume 2, Number 9] Heidari, Ahmad Ali Manifestation of Phenomena of Fear and Angst/Anxiety in Film World [Volume 2, Number 9] Sheibani Rezvani, Firoozeh A study in term of Undecidability: Reading the paintings of Alireza Espahbod [Volume 2, Number 9] Basiri, Mehrangiz The Body and Senses in New Artistic Media: A Merleau-Pontyan Approach [Volume 2, Number 9] Hashempour, Narges The Aesthetic of Performance in Ta’ziyeh and Female Audience [Volume 2, Number 9] Pishvaei, Hamid Reza Pattern and beyond: An Introduction to the Aestethics of Naqsh and Painting in Rumi’s Mathnawi [Volume 2, Number 9] Ghayoomi Bidhend, Mehrdadi Pattern and beyond: An Introduction to the Aestethics of Naqsh and Painting in Rumi’s Mathnawi [Volume 2, Number 9] Sharifzadeh, Mohammad Reza A Study on the Reasons of Visual Artists’ Tendency to Self- Portrait [Volume 2, Number 8] Hassanshahi, Faezeh A Study on the Reasons of Visual Artists’ Tendency to Self- Portrait [Volume 2, Number 8] HaajSeyyedJavadi, Seyyed Kamal A Reflection on the Concept of Ghadr (Value) in the Fundamental Theory of Art, Architecture, and Beauty in Islamic Civilization [Volume 2, Number 8] Kord Noghani, Mehdi A Rousseauian Reading of Universal Subjectivity and General Will in theSecond Moment of Kant’s Critique of Judgment [Volume 2, Number 8] Mansourian, Soheila Art and the Truth of Media at Post- Modern Era [Volume 2, Number 8] Gholami, Sahereh Heterotopian Cinema according to Foucault’s Discourse on Power [Volume 2, Number 8] Abdi, Ne’mat-o-llah A Research on the Issue of Representation in Pop Art [Volume 2, Number 8] Mirzaei, Davoud A Research on the Issue of Representation in Pop Art [Volume 2, Number 8] Bolkhari Ghehi, Hasan Sacred Architecture: The Incarnation of Correspondence between Human and Universe [Volume 2, Number 8] Rezaei, Elham Relfection on the Fundamental Thoughts behind the Construction of Four-Porch Mosques the Architecture of Saljuqi Dynasty [Volume 2, Number 7] Ghodsi, Mehrnoosh An Islamic Approach to Designing a Structured Model in Education of Architecture [Volume 2, Number 7] Islami, Seyyed Gholamreza An Islamic Approach to Designing a Structured Model in Education of Architecture [Volume 2, Number 7] Azizian Gilan, Hamed Lessons of Artist Philosopher: Lyotard on Duchamp, Buren, Newman, and Francis [Volume 2, Number 7] Ramazani Barkoosara, Roohollah Walter Benjamin Views on Experience and Function of Artwork in “The Work of Art in the Age of Its Technological Reproduction” [Volume 2, Number 7] Rabi’i, Hadi The Application of Typology in the Interpretation of Middle Age’s Christian Art [Volume 2, Number 7] Gholami, Tahereh Cezanne and Merlaeu-Ponty [Volume 2, Number 6] Rahimian Shirmard, Muhammad The Enigma of Interpretation in the Works of Samuel Beckett [Volume 2, Number 6] Akhavan Aghdam, Neda Exegesis in Ancient Iran and Its Influence on Artwork Interpretation [Volume 2, Number 6] Nasri, Amir Reading Image with Erwin Panofsky [Volume 2, Number 6] Seyyed Ahmadi Zavieh, Seyyed Sa’id An Analytical Study of the Mutual Relationship between Art History and Comparative Study of Art [Volume 2, Number 6] Javid Sabaghian, Meghdad An Analytical Study of the Mutual Relationship between Art History and Comparative Study of Art [Volume 2, Number 6] Alamdar, Somayyeh Linda Noclin’s Critique on the Idea of Distinctive Feminine Art Style [Volume 2, Number 6] Mostafavi, Shamsolmolook Linda Noclin’s Critique on the Idea of Distinctive Feminine Art Style [Volume 2, Number 6] Tahoori, Nayyer Victor Burgin: The End of Art Theory [Volume 2, Number 5] Tahoori, Nayyer “Losing Oneself” in Rumi’s Poetry and its Relation to Art [Volume 1, Number 1] Soleimani, Mohammad Reza Analytical Approach To The Function Of Architectural Competitions In Iran [Volume 2, Number 5] Islami, Seyyed Gholamreza Analytical Approach To The Function Of Architectural Competitions In Iran [Volume 2, Number 5] Shakeri, Seyyede Fateimaeh A Comparative Study of Three Canvases of Paintings"Last Supper" by Leonardo da Vinci, Salvador Dalí and Simon Patterson by Religious Semiotics Approach Means from the Perspective of Religious Semiotics [Volume 2, Number 5] Azizian Gilan, Hamed Venus and Adonis Back from Exile: Jeremy Gilbert-Rolfe on Contemporary Beauty and Sublime [Volume 2, Number 5] Sarkarfarshi, Golnaz A Critical Reading of Siegfried Kracauer's Film Theory [Volume 2, Number 5] Haj Seyyed Javadi, Seyyed Kamal Totalitarianism and Dogmatism or Presupposition and Attachments? A Study of Interpreter's Intellectual Background in the Interpretation of an Artwork [Volume 2, Number 5] Hosseini, Abbas An Analytical Review of Two Paintings in Alishir Navai Collected Poems Attributed to Sheikhzadeh [Volume 1, Number 1] Kamalinia, Farzin The Validity Crisis in Contemporary Film Theory and Possible Solutions (1970-2012) [Volume 1, Number 4] Ismaeilzadeie Barzi, Alireza Denying the Role of Interpretation in relation to philosophy and Art in Alain Badiou’s Thought [Volume 1, Number 4] Hazrati, Kambiz Picasso and the Issue of Image and Time (Deleuzian Reading of Picasso) [Volume 1, Number 4] Rahmanian, Ahmad History of Aesthetics in Martin Heidegger’s Narration [Volume 1, Number 4] Raahil Ghavami, Fatimeh Form and Content in Plotinus Perspectives on Art and Artwork [Volume 1, Number 4] Rabiei, Hadi Contemplation on Ibn Sina’s “Fann-e-She’r” (Poetics) [Volume 1, Number 4] Sharifzadeh, Muhammad Reza Borders of Art Criticism and Philosophy of Art in the Thought of Arthur Danto [Volume 1, Number 4] Ahmadi, Farhad :union: and Separation in Iranian Traditional Architecture [Volume 1, Number 3] Moareknejad, Seyyed Rasool The Intertextual Relationship between Sa’ib’s poetical wisdom and the Paintings of Isfahan School [Volume 1, Number 3] Abdi, Nahid Iconographical Motifs in Two Baisonghori and Tahmasbi Shahnamehs [Volume 1, Number 3] Iqbal, Arash Foucault with Magritte’s Eyes [Volume 1, Number 3] Shahandeh, Nooshin The Concept of Mimesis in Adorno’s Aesthetic Theory [Volume 1, Number 3] Poorhoseini, Behrang Martin Heidegger and the Great Art of Ancient Greece [Volume 1, Number 3] Shamloo, Gholamreza The Relationship between Ethics and Aesthetics in Schiller’s Thought [Volume 1, Number 3] Salmani, Ali The Relationship between Ethics and Aesthetics in Schiller’s Thought [Volume 1, Number 3] Mo’eini, Seyyed Hosein (Iraj) The Ethical Visuality in Contemporary Architecture: the Questioning of a Tradition [Volume 1, Number 3] Bolkhari Ghahi, Hasan Islamic Philosophy and a Challenge: Philosophy of Islamic Art [Volume 1, Number 3] Maziar, Amir Traditionalists on the Relationship between Islamic Thought and Islamic Art [Volume 1, Number 3] Mostafavi, Shamsolmolook Heidegger and Hermeneutical Phenomenology of Art [Volume 1, Number 3] Alai, Ali Persian Garden in Pope’s Perception: A Detailed Description of “Gardens” Article in the Book: “A Survey of Persian Art: From Prehistoric Times to the Present” [Volume 1, Number 2] Shahinrad, Mahnoosh The Principle of Horizontality in Islamic Architecture [Volume 1, Number 2] Islami, Seyyed Gholam Reza The Principle of Horizontality in Islamic Architecture [Volume 1, Number 2] Kazzazi, Mir Jalal-oddin Art, Myth, Dream [Volume 1, Number 1] Kangarani, Manijeh Ferdowsi in the Mirror of Persian Painting [Volume 1, Number 1] Khazraei, Babak The Connections between Minstrel Music and Chivalry [Volume 1, Number 1] Soraee, Pouya The Ontology of “Expression” and “Expressionism” in Music through Consideration of Irano-Islamic Music [Volume 1, Number 1] Nasri, Amir Metaphysical Foundations of Beauty in Pseudo-Dionysius’s Work and It’s Influence on Christian Aesthetics [Volume 1, Number 1] Haj Seyyed Javadi, Seyyed Kamal Study of Iranian’s Cultural, Artistic and Architectural Influence on the Construction of Khorasan Tomb at Lahore [Volume 1, Number 1] Haj seyyed Javadi, Seyyed Kamal A Survey on the Concept of MYTH in Islam’s Way of Treatment: Deliberating on the Quranic Meaning of “Myth’s” Various Features And Its Phenomenological Connotation [Volume 1, Number 2] Mansoorian, Soheila Simulation: History and Concept A Survey on the Implications of Simulation for Contemporary Art and Society According to Jean Baudrillard [Volume 1, Number 2] Mirzaei, Davoud Garden Yearning – Desire for Paradise in Iranian Abstract Art With Reliance on Āšūrāī Flags [Volume 1, Number 2] Hosseini, Mehdi Rooster and Its Role in Seven Paintings [Volume 1, Number 2] Akhavan Aghdam, Neda Praise of Life as a Zoroastrians Belief Depicted [Volume 1, Number 2] Panahi, Esmaeal Liberal Arts and Cosmic Music: A Contemplation on Boethius’ Theory of Aesthetics [Volume 1, Number 2]