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Reflection of Concepts from Wittgenstein’s Philosophy on the Architecture of the Stonborough House Reza Sameh *, Hessam Eshghi Sanati, Soheila Abdizadeh Abstract - Full Text (PDF)
From Absolute Spirit to the Lived Body: A Critical Analysis of the Idealist System of Hegel’s Philosophy of Art in Light of Shusterman’s Theory of Somaesthetics Shahab Pazouki *, Suhaila Kadhim Jasim Al-Saadouni, Seyed Hirad Mahmoudi Tabrizi Abstract - Full Text (PDF)
Discourse Analysis of the Transition from “Monir Shahroudy Farmanfarmaian” to “Monirism” in Contemporary Iranian Art Mahsa Nejat *Abstract - Full Text (PDF)
Iconographic Reading of the Works of Leading Contemporary Painters of Iran and Pakistan Akram Pilechian *, Farzaneh Farrokhfar, Abolghasem Dadvar Abstract - Full Text (PDF)
A Derridean Deconstructive Analysis of the Scapegoat Myth in Arthur Miller’s The Crucible Ahmadreza Majdnia, Nader Shayganfar *, Behrouz Soheili Esfahani Abstract - Full Text (PDF)
Reading The Film Lotte Am Bauhaus Based on Common Structural Elements of Architecture and Cinema Kimiya Hedayatee *, Masoumeh Yavari, Simon Ayvazian Abstract - Full Text (PDF)
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