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ISSN: 2251-8630
e-ISSN: 2251-9971
Volume 13, Issue 53 (Winter 2025)
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Explaining the Function of the Concept of Time-Image as a Form of Recovery of the New in Deleuze's Cinematographic Image with a Look at Mohammad Reza Aslani's Cinema
P. 1-17
10.22034/13.53.1
Iman Banakar
,
Ramtin Shahbazi
*
Abstract
(322 Views)
|
Full-Text (PDF)
(145 Downloads)
The Configuration of Four Elements in Metal Tallow Burners in the Seljuk Period: Gaston Bachelard's Imaginative Criticism Approach
P. 19-41
10.22034/13.53.19
Forough Amoian
*
Abstract
(300 Views)
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Full-Text (PDF)
(138 Downloads)
Analyzing the Relation Between the Revolution of Taoism and Mise-en-scène in Chinese Cinema with an Emphasis on The House of Flying Daggers (2004) Zhang Yimou
P. 43-58
10.22034/13.53.43
Karen Rafiei
*
,
Mehdi Khabbazi Kenari
,
Faraz Fallahnezhad Dalivand
,
Abdaleh Rafiei
Abstract
(366 Views)
|
Full-Text (PDF)
(169 Downloads)
The Relationship between Shusterman's "Somaesthetics" and Baumgarten's "Aesthetics" and its Implications for Contemporary Aesthetics
P. 59-78
10.22034/13.53.59
Shahab Pazouki
*
,
Ali Taqavi
Abstract
(365 Views)
|
Full-Text (PDF)
(142 Downloads)
A Study on the Effects of the Basics of Visual Arts in the Formation of Image Formats in Cinema
P. 79-124
10.22034/13.53.79
Arezoo Masominia
,
Mina Mohammadi Vakil
*
Abstract
(346 Views)
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Full-Text (PDF)
(129 Downloads)
Social Factors Influencing the Growth and Development of the Arts Based on Ibn Khaldun's Theory of the Sociology of Art
P. 125-142
10.22034/13.53.125
Parima Mirlohi
,
Hasan Bolkhari Ghahi
*
Abstract
(544 Views)
|
Full-Text (PDF)
(258 Downloads)
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