You can copy/paste HTML codes anywhere you like, for example in homepage, or even other sites
<div dir='ltr' align='left' ><a href="./xml_out.php?a_id=1266"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> An Analysis of Kant’s pre-Critical Approach towards the Sublime and the Beautiful</strong><br> Masoud Olia ^*, Golnar Narimani<br><a href="article-1-1266-en.html">Abstract</a> <a href="browse.php?a_id=1266&sid=1&slc_lang=fa"></a> -   <a href="browse.php?a_id=1266&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=1267"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> The Analysis of Relation between “telling” and “other” in Abbas Kiarostami Cinema from the Perspective of Emmanuel Levinas’ Ideas</strong><br> Seyyed Ali Rouhani ^*, Mohamad Mahdi Fayyazikia<br><a href="article-1-1267-en.html">Abstract</a> <a href="browse.php?a_id=1267&sid=1&slc_lang=fa"></a> -   <a href="browse.php?a_id=1267&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=1268"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Dialogism in Contemporary Art Criticism</strong><br> Afsaneh Rostami ^*, Javad Alimohammadi<br><a href="article-1-1268-en.html">Abstract</a> <a href="browse.php?a_id=1268&sid=1&slc_lang=fa"></a> -   <a href="browse.php?a_id=1268&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=1269"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Undecidability Boundaries (Parergon) in Painting: Reading Examples of Contemporary Iranian Visual Art</strong><br> Firoozeh Sheibani Rezvani ^*<br><a href="article-1-1269-en.html">Abstract</a> <a href="browse.php?a_id=1269&sid=1&slc_lang=fa"></a> -   <a href="browse.php?a_id=1269&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=1270"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> A Study of Time and Place in the Images of BĀYSONGORI ŠAHNAMA Using the Phenomenological Approach</strong><br> Jamal Arabzadeh ^*, Parham Peyvandi<br><a href="article-1-1270-en.html">Abstract</a> <a href="browse.php?a_id=1270&sid=1&slc_lang=fa"></a> -   <a href="browse.php?a_id=1270&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=1271"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Sasanian Art: Iconography or Iconoclasm?</strong><br> Neda Akhavan Aghdam ^*<br><a href="article-1-1271-en.html">Abstract</a> <a href="browse.php?a_id=1271&sid=1&slc_lang=fa"></a> -   <a href="browse.php?a_id=1271&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div>

---

Back to Original Issue

---