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A Conceptual Analysis of Beauty According to Its Ontological Truth: Based on Mulla Sadra’s Views Mahdi Amini
*, Mohammad Fanaei Eshkevari, Abdollah Fathy
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Lyotard’s Aesthetic Confrontation with Political Modernity Ali Salehi Farsani
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A Review of the Concept of the Subject and Self-destruction: A Case Study of “A Clockwork Orange” and “Apocalypse Now” Sepideh Sami
*, Behrooz Mahmoodi Bakhtiari
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Reading Michel Foucault’s Theory on Death and Function of Author and its Relation to Plagiarism Mojtaba Golestani
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Supremacy of the Subject in the Renaissance Perspective System and the Reaction of Cubism Painting to it Ali Akbar Jahangard
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A Postmodernist Reading of Art Works Based on Fredric Jameson’s Ideas: Focusing on Parviz Tanavoli’s Hich Collection (1960s-2000s) Zahra Rahbarnia
*, Maryam Keshmiri
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