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ISSN: 2251-8630
 e-ISSN: 2251-9971
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XML Explaining the Function of the Concept of Time-Image as a Form of Recovery of the New in Deleuze's Cinematographic Image with a Look at Mohammad Reza Aslani's Cinema
Iman Banakar, Ramtin Shahbazi *
Abstract -   Full Text (PDF)
XML The Configuration of Four Elements in Metal Tallow Burners in the Seljuk Period: Gaston Bachelard's Imaginative Criticism Approach
Forough Amoian *
Abstract -   Full Text (PDF)
XML Analyzing the Relation Between the Revolution of Taoism and Mise-en-scène in Chinese Cinema with an Emphasis on The House of Flying Daggers (2004) Zhang Yimou
Karen Rafiei *, Mehdi Khabbazi Kenari, Faraz Fallahnezhad Dalivand, Abdaleh Rafiei
Abstract -   Full Text (PDF)
XML The Relationship between Shusterman's "Somaesthetics" and Baumgarten's "Aesthetics" and its Implications for Contemporary Aesthetics
Shahab Pazouki *, Ali Taqavi
Abstract -   Full Text (PDF)
XML A Study on the Effects of the Basics of Visual Arts in the Formation of Image Formats in Cinema
Arezoo Masominia, Mina Mohammadi Vakil *
Abstract -   Full Text (PDF)
XML Social Factors Influencing the Growth and Development of the Arts Based on Ibn Khaldun's Theory of the Sociology of Art
Parima Mirlohi, Hasan Bolkhari Ghahi *
Abstract -   Full Text (PDF)
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