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Explaining the Function of the Concept of Time-Image as a Form of Recovery of the New in Deleuze's Cinematographic Image with a Look at Mohammad Reza Aslani's Cinema Iman Banakar, Ramtin Shahbazi *Abstract - Full Text (PDF)
The Configuration of Four Elements in Metal Tallow Burners in the Seljuk Period: Gaston Bachelard's Imaginative Criticism Approach Forough Amoian *Abstract - Full Text (PDF)
Analyzing the Relation Between the Revolution of Taoism and
Mise-en-scène in Chinese Cinema with an Emphasis on The House of Flying Daggers (2004) Zhang Yimou Karen Rafiei *, Mehdi Khabbazi Kenari, Faraz Fallahnezhad Dalivand, Abdaleh Rafiei Abstract - Full Text (PDF)
The Relationship between Shusterman's "Somaesthetics" and Baumgarten's "Aesthetics" and its Implications for Contemporary Aesthetics Shahab Pazouki *, Ali Taqavi Abstract - Full Text (PDF)
A Study on the Effects of the Basics of Visual Arts in the Formation of Image Formats in Cinema Arezoo Masominia, Mina Mohammadi Vakil *Abstract - Full Text (PDF)
Social Factors Influencing the Growth and Development of the Arts Based on Ibn Khaldun's Theory of the Sociology of Art Parima Mirlohi, Hasan Bolkhari Ghahi *Abstract - Full Text (PDF)
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