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<div dir='ltr' align='left' ><a href="./xml_out.php?a_id=2193"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Explanation of the Criteria for the Influence of the Hermeneutic Phenomenology of Place on the Architectural Design Process</strong><br> Hafez Abdolkarimi Komleh, Hossein Zabihi ^*, Khosro Daneshjo<br><a href="article-1-2193-en.html">Abstract</a> <a href="browse.php?a_id=2193&sid=1&slc_lang=fa"></a> -   <a href="browse.php?a_id=2193&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=2237"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> An Ontological Reflection on The Transformation of Friendship into Enmity in McDonagh's The Banshees of Inisherin by Relying on Heidegger's Being and Time</strong><br> Nader Shaygan far ^*<br><a href="article-1-2237-en.html">Abstract</a> <a href="browse.php?a_id=2237&sid=1&slc_lang=fa"></a> -   <a href="browse.php?a_id=2237&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=2191"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Avicenna’s Perspective of Intelligible Imagination and Its Reflection in Drawing of the Compound Images of the Painting of “Zakarya Hiding inside the Tree”</strong><br> Roya Rezapour Moghadam ^*, Mehdi Mohammadzadeh, Saeid Alizadeh<br><a href="article-1-2191-en.html">Abstract</a> <a href="browse.php?a_id=2191&sid=1&slc_lang=fa"></a> -   <a href="browse.php?a_id=2191&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=2196"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Criticism of art in Tīmūrīd and Safavīd historical texts</strong><br> Hanif Rahimi Pordanjani ^*<br><a href="article-1-2196-en.html">Abstract</a> <a href="browse.php?a_id=2196&sid=1&slc_lang=fa"></a> -   <a href="browse.php?a_id=2196&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=2192"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Mimetic and Diegetic Narratology: A Comparative Study on Akhundzadeh’s The Miser and Ibrahim Sinasi’s The Wedding of the Poet</strong><br> Behrouz Mahmoudi Bakhtiari ^*, Hassan Bolkhari Ghahi, Mohammad Bagher Ghahramani, Saghar Maneshi<br><a href="article-1-2192-en.html">Abstract</a> <a href="browse.php?a_id=2192&sid=1&slc_lang=fa"></a> -   <a href="browse.php?a_id=2192&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=2116"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Transcendental Art, Artist and Sublime Art’s Audience from Muhamad Ghazali’s Perspective</strong><br> Parima Mirlohi ^*<br><a href="article-1-2116-en.html">Abstract</a> <a href="browse.php?a_id=2116&sid=1&slc_lang=fa"></a> -   <a href="browse.php?a_id=2116&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div>

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