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<div dir='ltr' align='left' ><a href="./xml_out.php?a_id=1307"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Evaluation of Artworks in Analytic Philosophy of Art</strong><br> Mehdi Shams ^*, Said Edalatjoo<br><a href="article-1-1307-en.html">Abstract</a> <a href="browse.php?a_id=1307&sid=1&slc_lang=fa"></a> -   <a href="browse.php?a_id=1307&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=1308"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Interaction between Objectivism and Subjectivism in Reading the Image from Visual Perception Perspective (Case Study: Two Pieces of Qajar Textiles)</strong><br> Ameneh Mafi Tabar ^*, Fatemeh Kateb, Mansour Hesami<br><a href="article-1-1308-en.html">Abstract</a> <a href="browse.php?a_id=1308&sid=1&slc_lang=fa"></a> -   <a href="browse.php?a_id=1308&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=1309"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Reading of Process of Perception in Shabihkhani Through Merleau-Ponty’s Phenomenological Theory</strong><br> HasanAli Pourmand ^*, Shahab Pazoki, Reza Afhami<br><a href="article-1-1309-en.html">Abstract</a> <a href="browse.php?a_id=1309&sid=1&slc_lang=fa"></a> -   <a href="browse.php?a_id=1309&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=1310"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Critique of Stephen Davies’ Views on the Relation between Art, Aesthetics, and Evolution based on Artful Species</strong><br> Ali Vakili Baladezaei, Hadi Samadi ^*<br><a href="article-1-1310-en.html">Abstract</a> <a href="browse.php?a_id=1310&sid=1&slc_lang=fa"></a> -   <a href="browse.php?a_id=1310&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=1311"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> A critical Reading of the Imaginal World in Persian Traditional Painting and its Relation to the Hidden Orientalist Theory</strong><br> Ali Jahangard ^*<br><a href="article-1-1311-en.html">Abstract</a> <a href="browse.php?a_id=1311&sid=1&slc_lang=fa"></a> -   <a href="browse.php?a_id=1311&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=1312"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> The Relation between Aesthetics and Traditional Arts in Hinduism</strong><br> Somayeh Ramezanmahi, Hasan Bolkhari Ghahi ^*, Mohammadreza Rikhtegaran, Abolfazl Mahmoodi<br><a href="article-1-1312-en.html">Abstract</a> <a href="browse.php?a_id=1312&sid=1&slc_lang=fa"></a> -   <a href="browse.php?a_id=1312&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div>

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