Volume 5 - Number 19 - 2016-8

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ISSN: 2251-8630
e-ISSN: 2251-9971

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<div dir='ltr' align='left' ><a href="./xml_out.php?a_id=730"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> An Essay on Defending the Possibility of Ethical Criticism of Art</strong><br> Mohsen  Karami <sup>*</sup>,  Malek  Hosseini,  Masoud  Olia<br><a href="article-1-730-en.html">Abstract</a> <a href="browse.php?a_id=730&sid=1&slc_lang=fa"></a>   -    <a href="browse.php?a_id=730&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF)  <a href="" target="_blank"> </a>  <a href="" target="_blank"> </a>   <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=731"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Hegel’s Real Giants or Gombrich’s Imaginary Giants?</strong><br> Mehdi  Kord Noqani <sup>*</sup><br><a href="article-1-731-en.html">Abstract</a> <a href="browse.php?a_id=731&sid=1&slc_lang=fa"></a>   -    <a href="browse.php?a_id=731&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF)  <a href="" target="_blank"> </a>  <a href="" target="_blank"> </a>   <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=732"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Merleau-Ponty’s Philosophical Concepts: The Basis for the Analysis of Interactive Art in Performance of “ Field “</strong><br> Safa Sebti <sup>*</sup>,  Zahra  Rahbarnia,  Mehdi  Khabbazi Kenari<br><a href="article-1-732-en.html">Abstract</a> <a href="browse.php?a_id=732&sid=1&slc_lang=fa"></a>   -    <a href="browse.php?a_id=732&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF)  <a href="" target="_blank"> </a>  <a href="" target="_blank"> </a>   <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=733"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Contemporary Beauty: A Turn from Objective and Subjective Point of View to the Event</strong><br> Farideh  Afarin <sup>*</sup><br><a href="article-1-733-en.html">Abstract</a> <a href="browse.php?a_id=733&sid=1&slc_lang=fa"></a>   -    <a href="browse.php?a_id=733&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF)  <a href="" target="_blank"> </a>  <a href="" target="_blank"> </a>   <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=734"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Propaganda in Saqqakhaneh School of Art based on Pierre Bourdieu’s Sociological Theory</strong><br> Azadeh  Bahmanipor <sup>*</sup>,  Effatsadat  Afzal Tusi<br><a href="article-1-734-en.html">Abstract</a> <a href="browse.php?a_id=734&sid=1&slc_lang=fa"></a>   -    <a href="browse.php?a_id=734&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF)  <a href="" target="_blank"> </a>  <a href="" target="_blank"> </a>   <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=735"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Exhibition Discourse in Contemporary Art of Iran (By Analyzing the Exhibition Cycle “Of Labour, Of Dirt”, Tehran)</strong><br> Elham Puriya Mehr <sup>*</sup>,  Ashrafalsadat  Mousavilar<br><a href="article-1-735-en.html">Abstract</a> <a href="browse.php?a_id=735&sid=1&slc_lang=fa"></a>   -    <a href="browse.php?a_id=735&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF)  <a href="" target="_blank"> </a>  <a href="" target="_blank"> </a>   <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=736"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> The Influence of Some Eastern Philisophical Concepts on Western Art Cinema: The Case Study of “The Fountain” by Darren Aronofsky</strong><br> Farshad  Fereshte Hekmat <sup>*</sup><br><a href="article-1-736-en.html">Abstract</a> <a href="browse.php?a_id=736&sid=1&slc_lang=fa"></a>   -    <a href="browse.php?a_id=736&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF)  <a href="" target="_blank"> </a>  <a href="" target="_blank"> </a>   <hr class="articles_bar_hr"></div>

An Essay on Defending the Possibility of Ethical Criticism of Art
Mohsen Karami ^*, Malek Hosseini, Masoud Olia
Abstract - Full Text (PDF)

Hegel’s Real Giants or Gombrich’s Imaginary Giants?
Mehdi Kord Noqani ^*
Abstract - Full Text (PDF)

Merleau-Ponty’s Philosophical Concepts: The Basis for the Analysis of Interactive Art in Performance of “ Field “
Safa Sebti ^*, Zahra Rahbarnia, Mehdi Khabbazi Kenari
Abstract - Full Text (PDF)

Contemporary Beauty: A Turn from Objective and Subjective Point of View to the Event
Farideh Afarin ^*
Abstract - Full Text (PDF)

Propaganda in Saqqakhaneh School of Art based on Pierre Bourdieu’s Sociological Theory
Azadeh Bahmanipor ^*, Effatsadat Afzal Tusi
Abstract - Full Text (PDF)

Exhibition Discourse in Contemporary Art of Iran (By Analyzing the Exhibition Cycle “Of Labour, Of Dirt”, Tehran)
Elham Puriya Mehr ^*, Ashrafalsadat Mousavilar
Abstract - Full Text (PDF)

The Influence of Some Eastern Philisophical Concepts on Western Art Cinema: The Case Study of “The Fountain” by Darren Aronofsky
Farshad Fereshte Hekmat ^*
Abstract - Full Text (PDF)

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