[Home ] [Archive]   [ فارسی ]  
:: Main :: About :: Current Issue :: Archive :: Search :: Submit :: Contact ::
Main Menu
Home::
About ARIA::
Journal Information::
Articles archive::
For Authors::
For Reviewers::
Registration::
Contact us::
Site Facilities::
Reviewers::
::
Search in website

Advanced Search
..
Receive site information
Enter your Email in the following box to receive the site news and information.
..
ISSN: 2251-8630
 e-ISSN: 2251-9971
..
:: Volume 12, Issue 49 (1-2024) ::
کیمیای هنر 2024, 12(49): 79-95 Back to browse issues page
Analysis of the relationship between Mastership and Servitude to Express the Divine order in the Art of Sculpture based on Hegel's Thought
Mahboobeh Akbari Naseri , Behrooz Elyasi *
at Science and Research Branch, Islamic Azad University, Tehran
Abstract:   (833 Views)
In the phenomenology of spirit, under the topic of religion, Hegel makes a brief reference to the art of sculpture in relation to the expression of the divine, but he deals with it in detail in his Lectures on Fine Art. The absolute, which is synonymous with the divine, in both texts, has been able to express self-conscious through sculpture as an art. In this article, an attempt has been made to draw a clear picture of the relationship between Mastership and Servitude to express the divine order in the art of sculpture, based on Hegel's thought. Hegel did not mention art in the chapter of Mastership and Servitude. However, it is possible to create a hermeneutic circle between Mastership and Servitude and the religion chapter in phenomenology of spirit and the Lectures on Fine Art. In this way, a new understanding of the art of sculpture can be achieved, based on the relationship between mastership and Servitude. In order to achieve this goal, this article has been done with the descriptive-analytical approach and the method of collecting information through library sources. The results of this research show that the art of sculpture in every stage of religion and art carries a part of the consciousness of the spirit and the divine order to itself. this consciousness is the inseparable consciousness of God and man, which in Hegelian terms is the same relation between Mastership and Servitude. The self-conscious of the Spirit as the content of the sculpture has precisely influenced its form. The highest level of this artistic self-conscious is in the Greek religion of beauty and its corresponding classical sculpture, in which confrontation, the sublation of Mastership and Servitude leads to the expression of the divine in the form of sculpture art.
Keywords: Mastership and Servitude, self-consciousness, divine order, God, religion, art of sculpture.
Full-Text [PDF 511 kb]   (390 Downloads)    
Type of Study: Research | Subject: Special
Received: 2023/02/16 | Accepted: 2023/08/23
References
1. الیاده، میرچا (1398). تاریخ اندیشه‌‌‌های دینی. ترجمۀ بهزاد سالکی، تهران: پارسه.
2. الیاسی، بهروز؛ صافیان، محمدجواد (1398). مرگ‌اندیشی هیدگر و نسبت آن با هنراندیشی هیدگر. فصلنامۀ علمی کیمیای هنر، 8 (32)، 97-108.
3. دونت، ژاک (1377). درآمدی بر هگل. ترجمۀ محمدجعفر پوینده، تهران: فکر روز.
4. ذاکرزاده، ابوالقاسم (1391). ایده‌آلیسم آلمانی (از ولف تا پیروان کانت). آبادان: پرسش.
5. سیّداحمدیان، علیرضا (1396). خدایگان و بندگی از پدیدارشناسیِ روح هگل. تهران: چشمه.
6. مرادخانی، علی (1380). هگل و فلسفۀ مدرن. تهران: مهر نیوشا.
7. هیدگر، مارتین (1382). سرآغاز کار هنری. ترجمۀ پرویز ضیاءشهابی، تهران: هرمس.
8. Beiser, Frederick (2005). Hege. New York: Routledge. [DOI:10.4324/9780203087053]
9. Gadamer, Hans- Georg (1976). Hegel's Dialectic: Five Hermeneutical studies. trans: P. Christopher Smith, Yale University Press.
10. Hegel, G.W.F. (1971). Philosophy of Mind: part tree of the Encyclopedia of the Philosophical Sciences. trans: W. Wallace and A. V. Miller, Oxford University Press.
11. Hegel, G.W.F. (1975). Lectures on Fine Art. trans: T.M. Knox, New York: Oxford
12. University Press.
13. Hegel, G.W.F. (1983). Hegel's Lectures on the Philosophy of Spirit. trans: Leo Rauch, Ditroit: Wayne State University press.
14. Hegel, G.W.F. (1987). Introduction to the Lectures on the History of Philosophy. trans: T. M. Knox and A. V. Miller, Oxford.
15. Hegel, G.W.F. (2018). The Phenomenology of Spirit. trans: Terry Pinkard, Washington DC, Cambridge University press.
16. Houlgate, Stephen (2016). Hegel's Aesthetics. The Stanford Encyclopedia of philosophy. [DOI:10.1515/hgjb-2016-0105]
17. Hyppollite, Jean (1974). Genesis and Structure of Hegel's Phenomenology of Spirit. trans: Samuel Cherniak & John Heckman, Evanston: Northwestern University press.
18. Krasnoff, Larry (2008). Hegel's Phenomenology of Spirit (An Introduction). Cambridge & New York, Cambridge University press. [DOI:10.1017/CBO9780511619892]
19. Lauer, Quentin (1993). A reading of Hegel's Phenomenology of Spirit. New York: Fordham University Press.
20. Pippin, Robert B (1989). Hegel's Idealism: The Satisfactions of Self- Consciousness. UK.London: Cambridge University Press. [DOI:10.1017/CBO9780511621109]
21. Sartre, J- P. (1958). Being and Nothingness. trans: H. E. Barnes, Routledge.
22. Stern, Robert. (2002). Hegel and Phenomenology of Spirit. London & New York: Routledge.
Send email to the article author

Add your comments about this article
Your username or Email:

CAPTCHA



XML   Persian Abstract   Print


Download citation:
BibTeX | RIS | EndNote | Medlars | ProCite | Reference Manager | RefWorks
Send citation to:

Akbari Naseri M, Elyasi B. Analysis of the relationship between Mastership and Servitude to Express the Divine order in the Art of Sculpture based on Hegel's Thought. کیمیای هنر 2024; 12 (49) :79-95
URL: http://kimiahonar.ir/article-1-2161-en.html


Rights and permissions
Creative Commons License This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Volume 12, Issue 49 (1-2024) Back to browse issues page
Kimiya-ye-Honar
Persian site map - English site map - Created in 0.07 seconds with 39 queries by YEKTAWEB 4710