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Most Visited Articles
The Question of Art in Islamic Thought
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An Essay on Defending the Possibility of Ethical Criticism of Art
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Venus and Adonis Back from Exile: Jeremy Gilbert-Rolfe on Contemporary Beauty and Sublime
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Reading Image with Erwin Panofsky
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A Comparative Study of Three Canvases of Paintings"Last Supper" by Leonardo da Vinci, Salvador Dalí and Simon Patterson by Religious Semiotics Approach Means from the Perspective of Religious Semiotics
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Victor Burgin: The End of Art Theory
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Nature in the Frame of Art An Inquiry into the Art-centered Model of Aesthetic Appreciation of Nature
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Rooster and Its Role in Seven Paintings
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Totalitarianism and Dogmatism or Presupposition and Attachments? A Study of Interpreter's Intellectual Background in the Interpretation of an Artwork
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Linda Noclin’s Critique on the Idea of Distinctive Feminine Art Style
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A Critical Reading of Siegfried Kracauer's Film Theory
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An Analytical Review of Two Paintings in Alishir Navai Collected Poems Attributed to Sheikhzadeh
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Lessons of Artist Philosopher: Lyotard on Duchamp, Buren, Newman, and Francis
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The Principle of Horizontality in Islamic Architecture
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An Analytical Study of the Mutual Relationship between Art History and Comparative Study of Art
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Traditionalists on the Relationship between Islamic Thought and Islamic Art
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An Islamic Approach to Designing a Structured Model in Education of Architecture
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“Losing Oneself” in Rumi’s Poetry and its Relation to Art
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Analytical Approach To The Function Of Architectural Competitions In Iran
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The Enigma of Interpretation in the Works of Samuel Beckett
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The Application of Typology in the Interpretation of Middle Age’s Christian Art
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Contemplation on Ibn Sina’s “Fann-e-She’r” (Poetics)
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Cezanne and Merlaeu-Ponty
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Garden Yearning – Desire for Paradise in Iranian Abstract Art With Reliance on Āšūrāī Flags
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Borders of Art Criticism and Philosophy of Art in the Thought of Arthur Danto
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Study of Iranian’s Cultural, Artistic and Architectural Influence on the Construction of Khorasan Tomb at Lahore
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The Concept of Mimesis in Adorno’s Aesthetic Theory
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Exegesis in Ancient Iran and Its Influence on Artwork Interpretation
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Aesthetic Transition from Beautiful to the Abyss of Aesthetic Concepts: Introducing and Analyzing Aesthetic Concepts of Frank Sibley
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Martin Heidegger and the Great Art of Ancient Greece
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Heidegger and Hermeneutical Phenomenology of Art
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A Survey on the Concept of MYTH in Islam’s Way of Treatment: Deliberating on the Quranic Meaning of “Myth’s” Various Features And Its Phenomenological Connotation
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The Ontology of “Expression” and “Expressionism” in Music through Consideration of Irano-Islamic Music
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Persian Garden in Pope’s Perception: A Detailed Description of “Gardens” Article in the Book: “A Survey of Persian Art: From Prehistoric Times to the Present”
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Liberal Arts and Cosmic Music: A Contemplation on Boethius’ Theory of Aesthetics
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Islamic Philosophy and a Challenge: Philosophy of Islamic Art
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Simulation: History and Concept A Survey on the Implications of Simulation for Contemporary Art and Society According to Jean Baudrillard
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Walter Benjamin Views on Experience and Function of Artwork in “The Work of Art in the Age of Its Technological Reproduction”
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Foucault with Magritte’s Eyes
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The Connections between Minstrel Music and Chivalry
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Aesthetic Dimension and Golden Rule: Interaction between Art and Ethic in Herbert Marcuse’s Thoughts
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Relfection on the Fundamental Thoughts behind the Construction of Four-Porch Mosques the Architecture of Saljuqi Dynasty
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The musical language Elements of Persian musical language: modes, rhythm and syntax
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Metaphysical Foundations of Beauty in Pseudo-Dionysius’s Work and It’s Influence on Christian Aesthetics
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Form and Content in Plotinus Perspectives on Art and Artwork
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Cross-Cultural Approaches in Art Criticism
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Ferdowsi in the Mirror of Persian Painting
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History of Aesthetics in Martin Heidegger’s Narration
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A Study on the Reasons of Visual Artists’ Tendency to Self- Portrait
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Pattern and beyond: An Introduction to the Aestethics of Naqsh and Painting in Rumi’s Mathnawi
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Total Sum: 2303218
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