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Volume 14, Issue 57 (Winter 2026) |
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Reflection of Concepts from Wittgenstein’s Philosophy on the Architecture of the Stonborough House |
P. 1-20 |
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Reza Sameh *   , Hessam Eshghi Sanati , Soheila Abdizadeh |
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Abstract
(8 Views) |
Full-Text (PDF)
(4 Downloads)
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From Absolute Spirit to the Lived Body: A Critical Analysis of the Idealist System of Hegel’s Philosophy of Art in Light of Shusterman’s Theory of Somaesthetics |
P. 21-41 |
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Shahab Pazouki * , Suhaila Kadhim Jasim Al-Saadouni , Seyed Hirad Mahmoudi Tabrizi |
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Abstract
(19 Views) |
Full-Text (PDF)
(8 Downloads)
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Discourse Analysis of the Transition from “Monir Shahroudy Farmanfarmaian” to “Monirism” in Contemporary Iranian Art |
P. 43-64 |
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Mahsa Nejat * |
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Abstract
(8 Views) |
Full-Text (PDF)
(3 Downloads)
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Iconographic Reading of the Works of Leading Contemporary Painters of Iran and Pakistan |
P. 65-86 |
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Akram Pilechian * , Farzaneh Farrokhfar , Abolghasem Dadvar |
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Abstract
(9 Views) |
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(4 Downloads)
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A Derridean Deconstructive Analysis of the Scapegoat Myth in Arthur Miller’s The Crucible |
P. 85-104 |
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Ahmadreza Majdnia , Nader Shayganfar * , Behrouz Soheili Esfahani |
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Abstract
(9 Views) |
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(5 Downloads)
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Reading The Film Lotte Am Bauhaus Based on Common Structural Elements of Architecture and Cinema |
P. 105-125 |
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Kimiya Hedayatee * , Masoumeh Yavari , Simon Ayvazian |
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Abstract
(11 Views) |
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(4 Downloads)
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