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An Approach to Vital Art from the Perspective of the Aesthetics of Grace
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Somayyeh Ghadimzadeh *   , Massud Wahdattalab |
| Urmia University |
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Abstract: (455 Views) |
The aesthetics of grace, characterized by elegance and delicacy, is intrinsically connected to the concepts of life and vitality. However, the manifestation of life and liveliness in artistic works has not yet been adequately recognized from this perspective. This article explores the relationship between the aesthetic category of grace and the perception of life in art, aiming to develop a novel approach to vital art and its influencing factors. Utilizing a descriptive-analytical methodology with an ontological perspective, the study examines key viewpoints on the concepts of grace and life. Drawing on Bergson’s philosophy, particularly his theory of élan vital, the paper analyzes the connection between these two concepts. The findings indicate that the perception of grace depends on the qualities of ease and movement, which are intimately connected to life itself. The coexistence of these elements within an artwork fosters an understanding of wholeness and continuity (durée), thereby evoking a ‘sense of life’. Thus, the aesthetic framework of grace, through its two core semantic components, offers a valuable lens for understanding and evaluating the quality of life and vitality in works of art. |
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| Keywords: Aesthetics of Grace, Vital Art, Ease, Movement, Bergson |
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Full-Text [PDF 610 kb]
(206 Downloads)
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Type of Study: Research |
Subject:
Special
Received: 2024/06/20 | Accepted: 2024/09/30
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