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Showing 2 results for Authenticity
Ahmad Ali Heidari, Muhammad Sadegh Sadeghipour,
Volume 2, Issue 9 (3-2014)
Abstract
In this essay, the phenomena of Fear and
Angst/Anxiety are analyzed according to
Martin Heidegger's thought only to prove
that this significant field is defined as a
range of inauthentic fear toward authentic
angst/anxiety and it is revealed as »happening
of truth« or strife between world
and earth, in Film world? Monster, as embodiment
of evil and constitutive pivotal
element of Horror Cinema, is manifested
in various appearances of phenomenon of
fear. Horror Cinema via projecting fundamental
elements of Heidegger's hermeneutic
analysis (i.e. world, death, guilt, projection,
authenticity and inauthenticity) in
relation to Dasein in terms of a cinematic
expression, makes the disclosure of »happening
of truth« in the film world possible
via audience contribution, as an interpreter
Dasein engaged in this world, and the revealed »happening of truth« in this Cinema
is phenomenon of Fear and grounding
attunement of angst/anxiety which is uncovered
in a cinematic world.
Marjaneh Souzankar, Mohammadreza Rikhtegaran, Shamsolmolouk Mostafavi,
Volume 9, Issue 37 (1-2021)
Abstract
In Being and Time Heidegger believes that Dasein is the only being who has existence, he also argues Dasein has two existential modes: authenticity and in-authenticity. inauthenticity is usual Dasein’s existence, A way of Being in which Dasein has strayed away of himself and has fallen into the chaos of others. In this way of Being he deals to beings as others do, just in terms of efficiency and benefits. Although Heidegger considers in-authenticity as often way of Dasein’s Being but another way is possible. He calls another way of Dasein’s Being, authenticity. In this type Dasiesn transcendences from usual Being. In his later thought, Heidegger attributes authenticity and inauthenticity to different revealing of Being. In this view, Art and Technicque are two important status of revealing. So perhaps Art and Technic could be regarded as two determinative domains of Dasein’s Being.
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