Images and photos play an important role in our understanding of domestic and international events. Today we are living in the age of the visualization of politics. The images are vague, rhetorical, and aesthetic components of political and social phenomena and can give them a beautiful or detestable structure. In the digital age, images in and of themselves can define our structure and vision of reality. Visual innovations act very differently from words. They have a nonverbal nature. The meaning of images always depends on background and interpretation. Understanding the political nature of the images is one of the main goals of this paper. This research, based on a descriptive-analytical approach, bases examines hypothesis that visual images and artifacts, while giving rhetoric and aesthetic dimension to domestic and international political issues, can change the roots, directions, dimensions, quality, and perception of politics and policy issues. Accordingly, the main emphasis of the paper is on the significance and conceptualization of the unknown dimensions of an image and visual innovations as a multifaceted interpretable text. The research analyzes the rhetorical and aesthetic dimensions of images by describing the three methodological stages of “technological, hybrid - interpretive and loading of socio-political perceptions on images” in political analysis of images.