Volume 10 - Number 41 - 2022-3

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<div dir='ltr' align='left' ><a href="./xml_out.php?a_id=2028"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Analysis and Comparative of Grimas Actor Model in Pictures and Story of Sheikh Sanan</strong><br> Zahra  Fanaei <sup>*</sup><br><a href="article-1-2028-en.html">Abstract</a> <a href="browse.php?a_id=2028&sid=1&slc_lang=fa"></a>   -    <a href="browse.php?a_id=2028&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF)  <a href="" target="_blank"> </a>  <a href="" target="_blank"> </a>   <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=2029"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Comparison of Point of View based on Gérard Genette’s Focalization theory in Sophocles’ Ajax and Faulkner’s The Sound and the Fury</strong><br> Mohammad Amin  Andalibi <sup>*</sup>,  Ataollah Koopal<br><a href="article-1-2029-en.html">Abstract</a> <a href="browse.php?a_id=2029&sid=1&slc_lang=fa"></a>   -    <a href="browse.php?a_id=2029&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF)  <a href="" target="_blank"> </a>  <a href="" target="_blank"> </a>   <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=2030"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Psychoanalytic Reading of  the Play This is not a Pipe, written by Seyyed Mohammad Mosavat based on the Views of Jacques Lacan</strong><br> Ghazal  Naeemi <sup>*</sup>,  Hasan  BolkhariGhahi,  Farindokht  Zahedi<br><a href="article-1-2030-en.html">Abstract</a> <a href="browse.php?a_id=2030&sid=1&slc_lang=fa"></a>   -    <a href="browse.php?a_id=2030&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF)  <a href="" target="_blank"> </a>  <a href="" target="_blank"> </a>   <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=2031"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> A Survey on Intertextual and Intersemiotic Relations between the Sechischti Lyrics and the Kilims of the North Khorasan’s Kurmanj Nomads</strong><br>   <sup>*</sup>, <br><a href="article-1-2031-en.html">Abstract</a> <a href="browse.php?a_id=2031&sid=1&slc_lang=fa"></a>   -    <a href="browse.php?a_id=2031&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF)  <a href="" target="_blank"> </a>  <a href="" target="_blank"> </a>   <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=2032"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> The Study of Image by Aby Warburg</strong><br> Mehdi  Qadernezhad <sup>*</sup>,  Abdollah  Aghaie<br><a href="article-1-2032-en.html">Abstract</a> <a href="browse.php?a_id=2032&sid=1&slc_lang=fa"></a>   -    <a href="browse.php?a_id=2032&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF)  <a href="" target="_blank"> </a>  <a href="" target="_blank"> </a>   <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=2033"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Manifestation of Alchemy Symbols in Corresponding with Islamic Mysticism and Art</strong><br> Bamdad Aminzadeh <sup>*</sup><br><a href="article-1-2033-en.html">Abstract</a> <a href="browse.php?a_id=2033&sid=1&slc_lang=fa"></a>   -    <a href="browse.php?a_id=2033&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF)  <a href="" target="_blank"> </a>  <a href="" target="_blank"> </a>   <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=2034"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Reflection of Heidegger’s Attitude in the Analysis of Cézanne’s Paintings from Merleau-Ponty’s Point of View based on the Theory of Being-in-the-World</strong><br> Navid  Barzanji,  Maryam  Bakhtiarian <sup>*</sup>,   Firoozeh  Sheibani<br><a href="article-1-2034-en.html">Abstract</a> <a href="browse.php?a_id=2034&sid=1&slc_lang=fa"></a>   -    <a href="browse.php?a_id=2034&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF)  <a href="" target="_blank"> </a>  <a href="" target="_blank"> </a>   <hr class="articles_bar_hr"></div>

Analysis and Comparative of Grimas Actor Model in Pictures and Story of Sheikh Sanan
Zahra Fanaei ^*
Abstract - Full Text (PDF)

Comparison of Point of View based on Gérard Genette’s Focalization theory in Sophocles’ Ajax and Faulkner’s The Sound and the Fury
Mohammad Amin Andalibi ^*, Ataollah Koopal
Abstract - Full Text (PDF)

Psychoanalytic Reading of the Play This is not a Pipe, written by Seyyed Mohammad Mosavat based on the Views of Jacques Lacan
Ghazal Naeemi ^*, Hasan BolkhariGhahi, Farindokht Zahedi
Abstract - Full Text (PDF)

A Survey on Intertextual and Intersemiotic Relations between the Sechischti Lyrics and the Kilims of the North Khorasan’s Kurmanj Nomads
^*,
Abstract - Full Text (PDF)

The Study of Image by Aby Warburg
Mehdi Qadernezhad ^*, Abdollah Aghaie
Abstract - Full Text (PDF)

Manifestation of Alchemy Symbols in Corresponding with Islamic Mysticism and Art
Bamdad Aminzadeh ^*
Abstract - Full Text (PDF)

Reflection of Heidegger’s Attitude in the Analysis of Cézanne’s Paintings from Merleau-Ponty’s Point of View based on the Theory of Being-in-the-World
Navid Barzanji, Maryam Bakhtiarian ^*, Firoozeh Sheibani
Abstract - Full Text (PDF)

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