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<div dir='ltr' align='left' ><a href="./xml_out.php?a_id=1926"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> A Study of Two Salam-e Nowruzi Paintings of Fath-Ali Shah and Naser al-Din Shah in Qajar Era from the Perspective of Leveling and Sharpening Principles of Gestalt</strong><br> Ameneh Mafitabar ^*<br><a href="article-1-1926-en.html">Abstract</a> <a href="browse.php?a_id=1926&sid=1&slc_lang=fa"></a> -   <a href="browse.php?a_id=1926&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=1927"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> The Aesthetic of Reception in Interactive Installation Art, Read based on Wolfgang Iser’s Theory</strong><br> Farimah Fatemi, Ashraf sadat Mousavilar<br><a href="article-1-1927-en.html">Abstract</a> <a href="browse.php?a_id=1927&sid=1&slc_lang=fa"></a> -   <a href="browse.php?a_id=1927&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=1928"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Investigating the “Fair Use” in Contemporary Art in the Cases of Jeff Koons and Richard Prince</strong><br> Forough Khabiri, Zahra Rahbarnia<br><a href="article-1-1928-en.html">Abstract</a> <a href="browse.php?a_id=1928&sid=1&slc_lang=fa"></a> -   <a href="browse.php?a_id=1928&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=1929"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Investigation of Narrative Structures with Semiotic Approach: Night Exercise Screenplay</strong><br> Fariba Shokrollahpour ^*, Mohammad Ali Gozashti, Ali Abasi<br><a href="article-1-1929-en.html">Abstract</a> <a href="browse.php?a_id=1929&sid=1&slc_lang=fa"></a> -   <a href="browse.php?a_id=1929&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=1930"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Research on the Class Origins of Modern Painting Audiences in Iran between 1940-1970 A.D.</strong><br> Maryam Adel, Hassan Bolkhari Ghahi ^*<br><a href="article-1-1930-en.html">Abstract</a> <a href="browse.php?a_id=1930&sid=1&slc_lang=fa"></a> -   <a href="browse.php?a_id=1930&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=1931"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Evaluation of Sociological Components from the Perspective of the Confrontation between Tradition and Modernity in the Cinematic Works of the Seventies (with Emphasis on Films Under the Skin of the City and Two Women)</strong><br> ^*, <br><a href="article-1-1931-en.html">Abstract</a> <a href="browse.php?a_id=1931&sid=1&slc_lang=fa"></a> -   <a href="browse.php?a_id=1931&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div>

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