[Home ] [Archive]   [ فارسی ]  
:: Main :: About :: Current Issue :: Archive :: Search :: Submit :: Contact ::
Main Menu
Home::
About ARIA::
Journal Information::
Articles archive::
For Authors::
For Reviewers::
Registration::
Contact us::
Site Facilities::
::
Search in website

Advanced Search
..
Receive site information
Enter your Email in the following box to receive the site news and information.
..
:: Volume 10, Issue 40 (12-2021) ::
کیمیای هنر 2021, 10(40): 33-47 Back to browse issues page
Identifying the Position and the Role of Curator in the Formation Process of Contemporary Art Movements.
Sevana Boghossian * , Mohammad Moeinadini
Abstract:   (2353 Views)
The curator, by changes that has seen from its traditional functions towards new models, is now an omnipresent figure in the art world and is closely related to how the arts are showcased. Accordingly, it can have a direct and effective impact on raising awareness about an artistic flow and how it is presented. By this reason, this study explores the relationship between the curator’s activity in an art exhibition and the formation of artistic currents. In order to clarify this subject matter, this article, raises two basic questions: first, what is the role and position of the curator in the generation process of contemporary art movements and second, how can the curator form an art stream by holding an exhibition? Therefore, the purpose of this article is, on one hand, to explain the duties of the curator in an art exhibition, and then, to identify the role and position of the curator in the process of artistic current-making. Thus, this research, with a descriptive-analytical approach and by analyzing two global and influential exhibitional models, by following the curatorial process from idea creation to execution, pinpoints the duties of the curator in the art exhibition and characterizes the role and position of the curator in the formation process of artistic flows. The findings and studies of this paper show that, the curator, with its intermediary persona in the art world and someone who has a direct relationship with how art is presented, can have a direct and effective role in the generation process of art movements by following the proper exhibitional paradigms.
Keywords: curator, exhibition director, art director, art movement, contemporary art
Full-Text [PDF 491 kb]   (1129 Downloads)    
Type of Study: Research | Subject: Special
Received: 2021/05/19 | Accepted: 2021/10/6
References
1. بابایی‌فلاح، هادی (1397). جریان‌سازی هنری نگارخانه‌ها در ایران. تهران: انتشارات امیرکبیر.
2. پاکباز، رویین. (1395). curator. در فرهنگ اصطلاحات هنری و اَعلام هنرمندان: دوسویه چ3 (47). تهران: انتشارات فرهنگ معاصر.
3. پوریامهر، الهام. (1395). «تحلیل گفتمان کیوریتینگ در هنر معاصر ایران». پایان‌نامه دکترای تخصصی. گروه پژوهش هنر. دانشکده هنر، دانشگاه الزهرا (س).
4. تنکرمی باقری‌نژاد، رودابه. (1397). «مطالعه تطبیقی نمایشگاه‌گردانی در ایران و غرب با تأکید بر نقش اجتماعی هنر». پایان‌نامه کارشناسی ارشد. گروه پژوهش هنر. دانشکده هنر، دانشگاه الزهرا (س).
5. شاکر، وحید و گودرزی، مصطفی. (1396). مقدمه‌ای بر مطالعه بازار مالی و اقتصادی هنرهای تجسمی معاصر ایران در سه دهه اخیر. تهران: انتشارات مهر نوروز.
6. هوفمان، ینس. (1397). الفبای هنر امروز. ترجمه افرا صفا. تهران: چاپ و نشر نظر.
7. Aslan, Gonca, & Cagri Bulut. “The Role of Curator in Postmodern Epoch: A Manager, A Leader, An Innovator or All?” International Journal of Cultural and Creative Industries 1, no.4 (2014).
8. Graham, Beryl, and Sarah Cook. Rethinking curating: Art after new media. mit Press, 2010.
9. Smith, Terry. Thinking contemporary curating. Independent Curators International, 2012.
10. Vitkauskaitė, Ieva. “The Role of the Freelance Curator in an Art Exhibition.” European Journal of Interdisciplinary Studies 7, no. 2 (2015).
11. Wallace, Ian. “10 Exhibitions That Changed the Course of Contemporary Art”. Artspace, 7 (2014).
12. وزیری‌بزرگ، رقیه‌سادات. «هنر کنار هم بودن به روایت نیکولا بوریو». بازیابی شده در تاریخ 3 آذر (1399) از https://avammag.com/75121/%D9%87%D9%86%D8%B1-%DA%A9%D9%86%D8%A7%D8%B1-%D9%87%D9%85-%D8%A8%D9%88%D8%AF%D9%86
14. Bourriaud, Nicolas. “Traffic: Space-times of the Exchange.” Subsequently republished at http://www.mayrevue.com/en/traffic-espaces-temps-de-lechange, accessed November 26 (2020).
15. Freedman, Cari. “Traffic.” Subsequently republished at https://www.frieze.com/article/ traffic, accessed November 26 (2020).
16. Gali, Andre. “Portraying the 90s.” Subsequently republished at http:// www. norwegiancrafts. No /articles/a-synthetic-man-in-altermodern-times, accessed November 21 (2020).
17. Gasparina, Jill. “(Re) producing the Exhibition, (Re) thinking Art History. On the Visual Archives of Primary Structures.” Subsequently republished at https:// journals. openedition. org/ critiquedart/21192/ , accessed November 15 (2020).
18. Jakobsen, Henrik Plenge. (1996). “Alternative Society, Traffic.” Subsequently republished at https://www.henrikplengejakobsen.net/sider/works/99_92/alternativesociety.html, accessed November 20 (2020).
19. Martinique, Elena. “How The Primary Structures Exhibition of 1966 Changed Course of Art History.” Subsequently republished at https://www.widewalls.ch/magazine/ primary-structures-exhibition-1966, accessed November 16 (2020).
20. Ricci, Benedetta. “The Shows that Made Contemporary Art History: Primary Structures.” Subsequently republished at https://magazine.artland.com/the-shows-that-made-contemporary-art-history-primary-structures/, accessed November 20 (2020).
21. Ryan, Bartholomew. “Alter modern: A conversation with Nicholas Bourriaud.” Subsequently republished at https://www.artnews.com/art-in-america/interviews/altermodern-a-conversation-with-nicolas-bourriaud-56055/, accessed November 20 (2020).
22. Singsen, Doug. “Primary Structures.” Subsequently republished at https:// www. oxfordartonline. com/ groveart/ view/ 10.1093/ gao/ 9781884446054. 001. 0001/ oao- 9781884446054- e- 7002090821, accessed November 17 (2020).
23. Tsingou, Emily. (1996). “Traffic.” Subsequently republished at http:// www. zingmagazine. com/zing3/reviews/027_traffic.html, accessed November 22 (2020).
24. Verzotti, Giorgio. “Traffic.” Subsequently republished at https:// www. artforum. com/ print/ reviews/199605/traffic-53736, accessed November 22 (2020).
25. “Major Exhibition of Global 1960s Sculpture Opens March 14.” Subsequently republished at https://thejewishmuseum.org/press/press-release/other-primary-structures-release, accessed November 22 (2020).
Send email to the article author

Add your comments about this article
Your username or Email:

CAPTCHA



XML   Persian Abstract   Print


Download citation:
BibTeX | RIS | EndNote | Medlars | ProCite | Reference Manager | RefWorks
Send citation to:

Boghossian S, Moeinadini M. Identifying the Position and the Role of Curator in the Formation Process of Contemporary Art Movements.. کیمیای هنر 2021; 10 (40) :33-47
URL: http://kimiahonar.ir/article-1-1990-en.html


Rights and permissions
Creative Commons License This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Volume 10, Issue 40 (12-2021) Back to browse issues page
Kimiya-ye-Honar
Persian site map - English site map - Created in 0.06 seconds with 37 queries by YEKTAWEB 4645